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第3章

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as I saw this monkish pageant passing through the Vivarrambla; the

ancient seat of Moslem pomp and chivalry。 The contrast was indeed

forced upon the mind by the decorations of the square。 The whole front

of the wooden gallery erected for the procession; extending several

hundred feet; was faced with canvas; on which some humble though

patriotic artist had painted; by contract; a series of the principal

scenes and exploits of the Conquest; as recorded in chronicle and

romance。 It is thus the romantic legends of Granada mingle

themselves with every thing; and are kept fresh in the public mind。

  As we wended our way back to the Alhambra; Mateo was in high glee

and garrulous vein。 〃Ah; senor;〃 exclaimed he; 〃there is no place in

all the world like Granada for grand ceremonies (funciones grandes); a

man need spend nothing on pleasure here; it is all furnished him

gratis。 Pero; el dia de la Toma! ah; senor! el dia de la Toma!〃 〃But

the day of the Taking! ah; senor; the day of the Taking〃… that was the

great day which crowned Mateo's notions of perfect felicity。 The Dia

de la Toma; I found; was the anniversary of the capture or taking

possession of Granada; by the army of Ferdinand and Isabella。

  On that day; according to Mateo; the whole city is abandoned to

revelry。 The great alarm bell on the watchtower of the Alhambra (la

Torre de la vela); sends forth its clanging peals from morn till

night; the sound pervades the whole Vega; and echoes along the

mountains; summoning the peasantry from far and near to the

festivities of the metropolis。 〃Happy the damsel;〃 says Mateo; 〃who

can get a chance to ring that bell; it is a charm to insure a

husband within the year。〃

  Throughout the day the Alhambra is thrown open to the public。 Its

halls and courts; where the Moorish monarchs once held sway; resound

with the guitar and castanet; and gay groups; in the fanciful

dresses of Andalusia; perform their traditional dances inherited

from the Moors。

  A grand procession; emblematic of the taking possession of the city;

moves through the principal streets。 The banner of Ferdinand and

Isabella; that previous relic of the Conquest; is brought forth from

its depository; and borne in triumph by the Alferez mayor; or grand

standard…bearer。 The portable camp…altar; carried about with the

sovereigns in all their campaigns; is transported into the chapel

royal of the cathedral; and placed before their sepulchre; where their

effigies lie in monumental marble。 High mass is then performed in

memory of the Conquest; and at a certain part of the ceremony the

Alferez mayor puts on his hat; and waves the standard above the tomb

of the conquerors。

  A more whimsical memorial of the Conquest is exhibited in the

evening at the theatre。 A popular drama is performed; entitled AVE

MARIA; turning on a famous achievement of Hernando del Pulgar;

surnamed 〃el de las Hazanas〃 (he of the exploits); a madcap warrior;

the favorite hero of the populace of Granada。 During the time of the

siege; the young Moorish and Spanish cavaliers vied with each other in

extravagant bravadoes。 On one occasion this Hernando del Pulgar; at

the head of a handful of followers; made a dash into Granada in the

dead of the night; nailed the inscription of AVE MARIA with his dagger

to the gate of the principal mosque; a token of having consecrated

it to the Virgin; and effected his retreat in safety。

  While the Moorish cavaliers admired this daring exploit; they felt

bound to resent it。 On the following day; therefore; Tarfe; one of the

stoutest among them; paraded in front of the Christian army;

dragging the tablet bearing the sacred inscription AVE MARIA; at his

horse's tail。 The cause of the Virgin was eagerly vindicated by

Garcilaso de la Vega; who slew the Moor in single combat; and elevated

the tablet in devotion and triumph at the end of his lance。

  The drama founded on this exploit is prodigiously popular with the

common people。 Although it has been acted time out of mind; it never

fails to draw crowds; who become completely lost in the delusions of

the scene。 When their favorite Pulgar strides about with many a mouthy

speech; in the very midst of the Moorish capital; he is cheered with

enthusiastic bravos; and when he nails the tablet to the door of the

mosque; the theatre absolutely shakes with the thunders of applause。

On the other hand; the unlucky actors who figure in the part of the

Moors; have to bear the brunt of popular indignation; which at times

equals that of the Hero of La Mancha; at the puppet…show of Gines de

Passamonte; for; when the infidel Tarfe plucks down the tablet to

tie it to his horse's tail; some of the audience rise in fury; and are

ready to jump upon the stage to revenge this insult to the Virgin。

  By the way; the actual lineal descendant of Hernando del Pulgar

was the Marquis de Salar。 As the legitimate representative of that

madcap hero; and in commemoration and reward of this hero's exploit;

above mentioned; he inherited the right to enter the cathedral on

certain occasions; on horseback; to sit within the choir; and to put

on his hat at the elevation of the host; though these privileges

were often and obstinately contested by the clergy。 I met him

occasionally in society; he was young; of agreeable appearance and

manners; with bright black eyes; in which appeared to lurk some of the

fire of his ancestors。 Among the paintings in the Vivarrambla; on

the fete of Corpus Christi; were some depicting; in vivid style; the

exploits of the family hero。 An old gray…headed servant of the Pulgars

shed tears on beholding them; and hurried home to inform the

marquis。 The eager zeal and enthusiasm of the old domestic only

provoked a light laugh from his young master; whereupon; turning to

the brother of the marquis; with that freedom allowed in Spain to

old family servants; 〃Come; senor;〃 cried he; 〃you are more

considerate than your brother; come and see your ancestor in all his

glory!〃

  In emulation of this great Dia de la Toma of Granada; almost every

village and petty town of the mountains has its own anniversary;

commemorating; with rustic pomp and uncouth ceremonial; its

deliverance from the Moorish yoke。 On these occasions; according to

Mateo; a kind of resurrection takes place of ancient armor and

weapons; great two…handed swords; ponderous arquebuses with

matchlocks; and other warlike relics; treasured up from generation

to generation; since the time of the Conquest; and happy the community

that possesses some old piece of ordnance; peradventure one of the

identical lombards used by the conquerors; it is kept thundering along

the mountains all day long; provided the community can afford

sufficient expenditure of powder。

  In the course of the day; a kind of warlike drama is enacted。 Some

of the populace parade the streets; fitted out with the old armor;

as champions of the faith。 Others appear dressed up as Moorish

warriors。 A tent is pitched in the public square; inclosing an altar

with an image of the Virgin。 The Christian warriors approach to

perform their devotions; the infidels surround the tent to prevent

their entrance; a mock fight ensues; the combatants sometimes forget

that they are merely playing a part; and dry blows of grievous

weight are apt to be exchanged。 The contest; however; invariably

terminates in favor of the good cause。 The Moors are defeated and

taken prisoners。 The image of the Virgin; rescued from thraldom; is

elevated in triumph; a grand procession succeeds; in which the

conquerors figure with great applause and vainglory; while their

captives are led in chains; to the evident delight and edification

of the spectators。

  These celebrations are heavy drains on the treasuries of these petty

communities; and have sometimes to be suspended for want of funds;

but; when times grow better; or sufficient money has been hoarded

for the purpose; they are resumed with new zeal and prodigalit

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