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第4章

vendetta-第4章

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action may now seem to be; it was at that time a very natural

expression of the prevailing hatred。 Ginevra Piombo; one of Servin's

first pupils; had occupied the place that was now taken from her since

the first day of her coming to the studio。 The aristocratic circle had

gradually surrounded her。 To drive her from a place that in some sense

belonged to her was not only to insult her; but to cause her a species

of artistic pain; for all artists have a spot of predilection where

they work。



Nevertheless; political prejudice was not the chief influence on the

conduct of the Right clique of the studio。 Ginevra; much the ablest of

Servin's pupils; was an object of intense jealousy。 The master

testified as much admiration for the talents as for the character of

his favorite pupil; who served as a conclusion to all his comparisons。

In fact; without any one being able to explain the ascendancy which

this young girl obtained over all who came in contact with her; she

exercised over the little world around her a prestige not unlike that

of Bonaparte upon his soldiers。



The aristocracy of the studio had for some days past resolved upon the

fall of this queen; but no one had; as yet; ventured to openly avoid

the Bonapartist。 Mademoiselle Thirion's act was; therefore; a decisive

stroke; intended by her to force the others into becoming; openly; the

accomplices of her hatred。 Though Ginevra was sincerely loved by

several of these royalists; nearly all of whom were indoctrinated at

home with their political ideas; they decided; with the tactics

peculiar to women; that they should do best to keep themselves aloof

from the quarrel。



On Ginevra's arrival she was received; as we have said; in profound

silence。 Of all the young women who had; so far; come to Servin's

studio; she was the handsomest; the tallest; and the best made。 Her

carriage and demeanor had a character of nobility and grace which

commanded respect。 Her face; instinct with intelligence; seemed to

radiate light; so inspired was it with the enthusiasm peculiar to

Corsicans;which does not; however; preclude calmness。 Her long hair

and her black eyes and lashes expressed passion; the corners of her

mouth; too softly defined; and the lips; a trifle too marked; gave

signs of that kindliness which strong beings derive from the

consciousness of their strength。



By a singular caprice of nature; the charm of her face was; in some

degree; contradicted by a marble forehead; on which lay an almost

savage pride; and from which seemed to emanate the moral instincts of

a Corsican。 In that was the only link between herself and her native

land。 All the rest of her person; her simplicity; the easy grace of

her Lombard beauty; was so seductive that it was difficult for those

who looked at her to give her pain。 She inspired such keen attraction

that her old father caused her; as matter of precaution; to be

accompanied to and from the studio。 The only defect of this truly

poetic creature came from the very power of a beauty so fully

developed; she looked a woman。 Marriage she had refused out of love to

her father and mother; feeling herself necessary to the comfort of

their old age。 Her taste for painting took the place of the passions

and interests which usually absorb her sex。



〃You are very silent to…day; mesdemoiselles;〃 she said; after

advancing a little way among her companions。 〃Good…morning; my little

Laure;〃 she added; in a soft; caressing voice; approaching the young

girl who was painting apart from the rest。 〃That head is strong;the

flesh tints a little too rosy; but the drawing is excellent。〃



Laure raised her head and looked tenderly at Ginevra; their faces

beamed with the expression of a mutual affection。 A faint smile

brightened the lips of the young Italian; who seemed thoughtful; and

walked slowly to her easel; glancing carelessly at the drawings and

paintings on her way; and bidding good…morning to each of the young

girls of the first group; not observing the unusual curiosity excited

by her presence。 She was like a queen in the midst of her court; she

paid no attention to the profound silence that reigned among the

patricians; and passed before their camp without pronouncing a single

word。 Her absorption seemed so great that she sat down before her

easel; opened her color…box; took up her brushes; drew on her brown

sleeves; arranged her apron; looked at her picture; examined her

palette; without; apparently; thinking of what she was doing。 All

heads in the group of the bourgeoises were turned toward her。 If the

young ladies in the Thirion camp did not show their impatience with

the same frankness; their sidelong glances were none the less directed

on Ginevra。



〃She hasn't noticed it!〃 said Mademoiselle Roguin。



At this instant Ginevra abandoned the meditative attitude in which she

had been contemplating her canvas; and turned her head toward the

group of aristocrats。 She measured; at a glance; the distance that now

separated her from them; but she said nothing。



〃It hasn't occurred to her that they meant to insult her;〃 said

Matilde; 〃she neither colored nor turned pale。 How vexed these girls

will be if she likes her new place as well as the old! You are out of

bounds; mademoiselle;〃 she added; aloud; addressing Ginevra。



The Italian pretended not to hear; perhaps she really did not hear。

She rose abruptly; walked with a certain deliberation along the side

of the partition which separated the adjoining closet from the studio;

and seemed to be examining the sash through which her light came;

giving so much importance to it that she mounted a chair to raise the

green serge; which intercepted the light; much higher。 Reaching that

height; her eye was on a level with a slight opening in the partition;

the real object of her efforts; for the glance that she cast through

it can be compared only to that of a miser discovering Aladdin's

treasure。 Then she sprang down hastily and returned to her place;

changed the position of her picture; pretended to be still

dissatisfied with the light; pushed a table close to the partition; on

which she placed a chair; climbed lightly to the summit of this

erection; and again looked through the crevice。 She cast but one

glance into the space beyond; which was lighted through a skylight;

but what she saw produced so strong an effect upon her that she

tottered。



〃Take care; Mademoiselle Ginevra; you'll fall!〃 cried Laure。



All the young girls gazed at the imprudent climber; and the fear of

their coming to her gave her courage; she recovered her equilibrium;

and replied; as she balanced herself on the shaking chair:



〃Pooh! it is more solid than a throne!〃



She then secured the curtain and came down; pushed the chair and table

as far as possible from the partition; returned to her easel; and

seemed to be arranging it to suit the volume of light she had now

thrown upon it。 Her picture; however; was not in her mind; which was

wholly bent on getting as near as possible to the closet; against the

door of which she finally settled herself。 Then she began to prepare

her palette in the deepest silence。 Sitting there; she could hear;

distinctly; a sound which had strongly excited her curiosity the

evening before; and had whirled her young imagination across vast

fields of conjecture。 She recognized the firm and regular breathing of

a man whom she had just seen asleep。 Her curiosity was satisfied

beyond her expectations; but at the same time she felt saddled by an

immense responsibility。 Through the opening in the wall she had seen

the Imperial eagle; and upon the flock bed; faintly lighted from

above; lay the form of an officer of the Guard。 She guessed all。

Servin was hiding a proscribed man!



She now trembled lest any of her companions should come near here to

examine her picture; when the regular breathing or some deeper breath

might reveal to them; as it had to he

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