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第10章

the jacket (the star-rover)-第10章

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walls of rubble。  In the middle distance was a cluster of wretched;

flat…roofed hovels。



〃Now; my boy; where is that?〃 the missionary quizzed。



And the name came to me!



〃Samaria;〃 I said instantly。



My father clapped his hands with glee; my mother was perplexed at my

antic conduct; while the missionary evinced irritation。



〃The boy is right;〃 he said。  〃It is a village in Samaria。  I passed

through it。  That is why I bought it。  And it goes to show that the

boy has seen similar photographs before。〃



This my father and mother denied。



〃But it's different in the picture;〃 I volunteered; while all the

time my memory was busy reconstructing the photograph。  The general

trend of the landscape and the line of the distant hills were the

same。  The differences I noted aloud and pointed out with my finger。



〃The houses was about right here; and there was more trees; lots of

trees; and lots of grass; and lots of goats。  I can see 'em now; an'

two boys drivin' 'em。  An' right here is a lot of men walkin' behind

one man。  An' over there〃I pointed to where I had placed my

village〃is a lot of tramps。  They ain't got nothin' on exceptin'

rags。  An' they're sick。  Their faces; an' hands; an' legs is all

sores。〃



〃He's heard the story in church or somewhereyou remember; the

healing of the lepers in Luke;〃 the missionary said with a smile of

satisfaction。  〃How many sick tramps are there; my boy?〃



I had learned to count to a hundred when I was five years old; so I

went over the group carefully and announced:



〃Ten of 'em。  They're all wavin' their arms an' yellin' at the other

men。〃



〃But they don't come near them?〃 was the query。



I shook my head。  〃They just stand right there an' keep a…yellin'

like they was in trouble。〃



〃Go on;〃 urged the missionary。  〃What next?  What's the man doing in

the front of the other crowd you said was walking along?〃



〃They've all stopped; an' he's sayin' something to the sick men。

An' the boys with the goats 's stopped to look。  Everybody's

lookin'。〃



〃And then?〃



〃That's all。  The sick men are headin' for the houses。  They ain't

yellin' any more; an' they don't look sick any more。  An' I just

keep settin' on my horse a…lookin' on。〃



At this all three of my listeners broke into laughter。



〃An' I'm a big man!〃 I cried out angrily。  〃An' I got a big sword!〃



〃The ten lepers Christ healed before he passed through Jericho on

his way to Jerusalem;〃 the missionary explained to my parents。  〃The

boy has seen slides of famous paintings in some magic lantern

exhibition。〃



But neither father nor mother could remember that I had ever seen a

magic lantern。



〃Try him with another picture;〃 father suggested。



〃It's all different;〃 I complained as I studied the photograph the

missionary handed me。  〃Ain't nothin' here except that hill and them

other hills。  This ought to be a country road along here。  An' over

there ought to be gardens; an' trees; an' houses behind big stone

walls。  An' over there; on the other side; in holes in the rocks

ought to be where they buried dead folks。  You see this place?they

used to throw stones at people there until they killed 'm。  I never

seen 'm do it。  They just told me about it。〃



〃And the hill?〃 the missionary asked; pointing to the central part

of the print; for which the photograph seemed to have been taken。

〃Can you tell us the name of the hill?〃



I shook my head。



〃Never had no name。  They killed folks there。  I've seem 'm more 'n

once。〃



〃This time he agrees with the majority of the authorities;〃

announced the missionary with huge satisfaction。  〃The hill is

Golgotha; the Place of Skulls; or; as you please; so named because

it resembles a skull。  Notice the resemblance。  That is where they

crucified〃  He broke off and turned to me。  〃Whom did they crucify

there; young scholar?  Tell us what else you see。〃



Oh; I sawmy father reported that my eyes were bulging; but I shook

my head stubbornly and said:



〃I ain't a…goin' to tell you because you're laughin' at me。  I seen

lots an' lots of men killed there。  They nailed 'em up; an' it took

a long time。  I seenbut I ain't a…goin' to tell。  I don't tell

lies。  You ask dad an' ma if I tell lies。  He'd whale the stuffin'

out of me if I did。  Ask 'm。〃



And thereat not another word could the missionary get from me; even

though he baited me with more photographs that sent my head whirling

with a rush of memory…pictures and that urged and tickled my tongue

with spates of speech which I sullenly resisted and overcame。



〃He will certainly make a good Bible scholar;〃 the missionary told

father and mother after I had kissed them good…night and departed

for bed。  〃Or else; with that imagination; he'll become a successful

fiction…writer。〃



Which shows how prophecy can go agley。  I sit here in Murderers'

Row; writing these lines in my last days; or; rather; in Darrell

Standing's last days ere they take him out and try to thrust him

into the dark at the end of a rope; and I smile to myself。  I became

neither Bible scholar nor novelist。  On the contrary; until they

buried me in the cells of silence for half a decade; I was

everything that the missionary forecasted notan agricultural

expert; a professor of agronomy; a specialist in the science of the

elimination of waste motion; a master of farm efficiency; a precise

laboratory scientist where precision and adherence to microscopic

fact are absolute requirements。



And I sit here in the warm afternoon; in Murderers' Row; and cease

from the writing of my memoirs to listen to the soothing buzz of

flies in the drowsy air; and catch phrases of a low…voiced

conversation between Josephus Jackson; the negro murderer on my

right; and Bambeccio; the Italian murderer on my left; who are

discussing; through grated door to grated door; back and forth past

my grated door; the antiseptic virtues and excellences of chewing

tobacco for flesh wounds。



And in my suspended hand I hold my fountain pen; and as I remember

that other hands of me; in long gone ages; wielded ink…brush; and

quill; and stylus; I also find thought…space in time to wonder if

that missionary; when he was a little lad; ever trailed clouds of

glory and glimpsed the brightness of old star…roving days。



Well; back to solitary; after I had learned the code of knuckle…talk

and still found the hours of consciousness too long to endure。  By

self…hypnosis; which I began successfully to practise; I became able

to put my conscious mind to sleep and to awaken and loose my

subconscious mind。  But the latter was an undisciplined and lawless

thing。  It wandered through all nightmarish madness; without

coherence; without continuity of scene; event; or person。



My method of mechanical hypnosis was the soul of simplicity。

Sitting with folded legs on my straw…mattress; I gazed fixedly at a

fragment of bright straw which I had attached to the wall of my cell

near the door where the most light was。  I gazed at the bright

point; with my eyes close to it; and tilted upward till they

strained to see。  At the same time I relaxed all the will of me and

gave myself to the swaying dizziness that always eventually came to

me。  And when I felt myself sway out of balance backward; I closed

my eyes and permitted myself to fall supine and unconscious on the

mattress。



And then; for half…an…hour; ten minutes; or as long as an hour or

so; I would wander erratically and foolishly through the stored

memories of my eternal recurrence on earth。  But times and places

shifted too swiftly。  I knew afterward; when I awoke; that I;

Darrell Standing; was the linking personality that connected all

bizarreness and grotesqueness。  But that was all。  I could never

live out completely one full experience; one point of consciousness

in time and space。  My dreams; if dreams they may be called; were

rhymeles

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