the origins of contemporary france-1-第77章

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of　admiring　the　sun。　　What？　I　who　am　able　to　observe；　to　comprehend

beings　and　their　associations；　who　can　appreciate　order；　beauty　and

virtue；　who　can　contemplate　the　universe　and　exalt　myself　to　the　hand

which　controls　it；　who　can　love　the　good　and　do　good；　should　I　compare

myself　to　brutes！〃　Man　is　free；　capable　of　deciding　between　two

actions；　and　therefore　the　creator　of　his　actions　；　he　is　accordingly

a　first　and　original　cause；　〃an　immaterial　substance；〃　distinct　from

the　body；　a　soul　hampered　by　the　body　and　which　may　survive　the　body。

　　　This　immortal　soul　imprisoned　within　the　flesh　has　conscience　for

its　organ。　　〃O　Conscience；　divine　instinct；　immortal　and　celestial

voice；　unfailing　guide　of　an　ignorant　and　finite　but　free　and

intelligent　being；　infallible　judge　between　good　and　evil；　and

rendering　Man　similar　to　God；　Thou　foremost　the　superiority　of　his

nature！〃



　Alongside　of　vanity；　by　which　we　subordinate　everything　to

ourselves；　there　is　a　love　of　order　by　which　we　subordinate　ourselves

to　the　whole。　　Alongside　of　egoism；　by　which　Man　seeks　happiness　even

at　the　expense　of　others；　is　sympathy；　by　which　he　seeks　the　happiness

of　others　even　at　the　expense　of　his　own。　　Personal　enjoyment　does　not

suffice　him；　he　still　needs　tranquillity　of　conscience　and　the

effusions　of　the　heart。　　　　Such　is　Man　as　God　designed　and　created

him；　in　his　organization　there　is　no　defect。　　Inferior　elements　are　as

serviceable　as　the　superior　elements；　all　are　essential；

proportionate；　in　proper　place；　not　only　the　heart；　the　conscience；

the　intellect；　and　the　faculties　by　which　we　surpass　brutes；　but　again

the　inclinations　in　common　with　animals；　the　instinct　of　self…

preservation　and　of　self…defense；　the　need　of　physical　activity；

sexual　appetite；　and　other　primitive　impulses　as　we　observe　them　in

the　child；　the　savage　and　the　uncultivated　Man。＇31＇　None　of　these　in

themselves　are　either　vicious　or　injurious。　　None　are　too　strong；　even

the　love　of　self。　　None　come　into　play　out　of　season。　　If　we　would　not

interfere　with　them；　if　we　would　impose　no　constraint　on　them；　if　we

would　permit　these　sparkling　fountains　to　flow　according　to　their

bent；　if　we　would　not　confine　them　to　our　artificial　and　foul

channels；　we　should　never　see　them　boiling　over　and　becoming　turbid。

We　look　with　wonder　on　their　ravages　and　on　their　stains；　we　forget

that；　in　the　beginning；　they　were　pure　and　undefiled。　　The　fault　is

with　us；　in　our　social　arrangements；　in　our　encrusted　and　formal

channels　whereby　we　cause　deviations　and　windings；　and　make　them　heave

and　bound。　　〃Your　very　governments　are　the　cause　of　the　evils　which

they　pretend　to　remedy。　　Ye　scepters　of　iron！　ye　absurd　laws；　ye　we

reproach　for　our　inability　to　fulfill　our　duties　on　earth！〃　Away　with

these　dikes；　the　work　of　tyranny　and　routine！　An　emancipated　nature

will　at　once　resume　a　direct　and　healthy　course　and　man；　without

effort；　will　find　himself　not　only　happy　but　virtuous　as　well。＇32＇　On

this　principle　the　attack　begins：　there　is　none　that　is　pushed

further；　nor　conducted　with　more　bitter　hostility。　　Thus　far　existing

institutions　are　described　simply　as　oppressive　and　unreasonable；　but

now　they　are　now　they　are　accused　of　being　unjust　and　corrupting　as

well。　　Reason　and　the　natural　desires　were　the　only　insurgents；

conscience　and　pride　are　now　in　rebellion。　　With　Voltaire　and

Montesquieu　all　I　might　hope　for　is　that　fewer　evils　might　be

anticipated。　　With　Diderot　and　d'Holbach　the　horizon　discloses　only　a

glowing　El　Dorado　or　a　comfortable　Cythera。　　With　Rousseau　I　behold

within　reach　an　Eden　where　I　shall　immediately　recover　a　nobility

inseparable　from　my　happiness。　　It　is　my　right；　nature　and　Providence

summon　me　to　it；　it　is　my　heritage。　　One　arbitrary　institution　alone

keeps　me　away　from　it；　the　creator　of　my　vices　as　of　my　misery。　　With

what　rage　and　fury　I　will　overthrow　this　ancient　barrier！　　　　We

detect　this　in　the　vehement　tone；　in　the　embittered　style；　and　in　the

sombre　eloquence　of　the　new　doctrine。　　Fun　and　games　are　no　longer　in

vogue；　a　serious　tone　is　maintained；　people　become　exasperated；　while

the　powerful　voice　now　heard　penetrates　beyond　the　drawing…room；　to

the　rude　and　suffering　crowd　to　which　no　word　had　yet　been　spoken；

whose　mute　resentment　for　the　first　time　finds　an　interpreter；　and

whose　destructive　instincts　are　soon　to　be　set　in　motion　at　the

summons　of　its　herald。　　　　Rousseau　is　a　man　of　the　people；　and　not　a

man　of　high　society。　　He　feels　awkward　in　a　drawing…room。＇33＇　He　is　not

capable　of　conversing　and　of　appearing　amiable；　the　nice　expressions

only　come　into　his　head　too　late；　on　the　staircase　as　he　leaves　the

house；　he　keeps　silent　with　a　sulky　air　or　utters　stupidities；

redeeming　his　awkwardness　with　the　sallies　of　a　clown　or　with　the

phrases　of　a　vulgar　pedant。　　Elegance　annoys　him；　luxury　makes　him

uncomfortable；　politeness　is　a　lie；　conversation　mere　prattle；　ease　of

manner　a　grimace；　gaiety　a　convention；　wit　a　parade；　science　so　much

charlatanry；　philosophy　an　affection　and　morals　utter　corruption。　　All

is　factitious；　false　and　unwholesome；＇34＇　from　the　make…up；　toilet　and

beauty　of　women　to　the　atmosphere　of　the　apartments　and　the　ragouts　on

the　dinner…table；　in　sentiment　as　in　amusement；　in　literature　as　in

music；　in　government　as　in　religion。　　This　civilization；　which　boasts

of　its　splendor；　is　simply　the　restlessness　of　over…excited；　servile

monkeys　each　imitating　the　other；　and　each　corrupting　the　other　to；

through　sophistication；　end　up　in　worry　and　boredom。　　Human　culture；

accordingly；　is　in　itself　bad；　while　the　fruit　it　produces　is　merely

excrescence　or　poison。　　　　Of　what　use　are　the　sciences？　Uncertain

and　useless；　they　afford　merely　a　pasture…ground　for　idlers　and

wranglers。＇35＇



〃　Who　would　want　to　pass　a　lifetime　in　sterile　observation；　if

they；　apart　from　their　duties　and　nature's　demands；　had　had　to　bestow

their　time　on　their　country；　on　the　unfortunate　and　on　their　friends！〃

　　Of　what　use　are　the　fine　arts？　They　serve　only　as　public　flattery

of　dominant　passions。　　〃The　more　pleasing　and　the　more　perfect　the

drama；　the　more　baneful　its　influence；〃　　the　theater；　even　with

Molière；　is　a　school　of　bad　morals；　〃inasmuch　as　it　excites　deceitful

souls　to　ridicule；　in　the　name　of　comedy；　the　candor　of　artless

people。〃　Tragedy；　said　to　be　moralizing；　wastes　in　counterfeit

effusions　the　little　virtue　that　still　remains。　　〃　When　a　man　has　been

admiring　the　noble　feats　in　the　fables　what　more　is　expected　of　him？

After　paying　homage　to　virtue　is　he　not　discharged　from　all　that　he

owes　to　it？　What　more　would　they　have　him　do？　Must　he　practice　it

himself？　He　has　no　part　to　play；　he　is　not　a　comedian。〃　　　　The

sciences；　the　fine　arts；　the　arts　of　luxury；　philosophy；　literature；

all　this　serve　only　to　effeminate　and　distract　the　mind；　all　that　is

only　made　for　the　small　crowd　of　brilliant　and　noisy　insects　buzzing

around　the　summits　of　society　and　sucking　away　all　public　substance。

　　As　regards　the　sciences；　but　one　is　important；　that　of　our　duties；

and；　without　so　many　subtleties　and　so　much　study；　our　innermost

conscience　suffice　to　show　us　the　way。　　　　As　regards　the　arts　and

the　skills；　only　those　should　be　tolerated　which；　ministering　to　our

prime　necessities；　provide　us　with　bread　to　feed　us；　with　a　roof　to

shelter　us；　clothing　to　cover　us；　and　arms　with　which　to　defend

ourselves。　　　　In　the　way　of　existence　that　only　is　healthy　which

enables　us　to　live　in　the　country；　artlessly；　without　display；　in

family　union；　devoted　to　cultivation；　living　on　the　products　of　the

soil　and　among　neighbors　that　are　equals　and　with　servants　that　one

trusts　as　friends。＇36＇　　　　As　for　the　classes；　but　one　is

respectable；　that　of　laboring　men；　especially　that　of　men　working　with

their　own　hands；　artisans　and　mechanics；　only　these　being　really　of

service；　the　only　ones　who；　through　their　situation；　are　in　close

prox