the origins of contemporary france-1-第68章
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Pater; and Beaudouin; and which; accepted with difficulty; or as a
surprise; by the official drawing room are still to subsist after the
grander and soberer canvases shall have become moldy through their
wearisome exhalations。 Everywhere else the sap dries up; and; instead
of blooming plants; we encounter only flowers of painted paper。 What
are all the serious poems; from the 〃la Henriade〃 of Voltaire to the
〃Mois〃 by Roucher or the 〃l'Imagination〃 by Delille; but so many
pieces of rhetoric garnished with rhymes? Examine the innumerable
tragedies and comedies of which Grimm and Collé gives us mortuary
extracts; even the meritorious works of Voltaire and Crébillon; and
later; those of authors of repute; Du Belloy; Laharpe; Ducis; and
Marie Chénier? Eloquence; art; situations; correct verse; all exist in
these except human nature; the personages are simply well…taught
puppets; and generally mere mouthpieces by which the author makes his
declamation public; Greeks; Romans; Medieval knights; Turks; Arabs;
Peruvians; Giaours; or Byzantines; they have all the same declamatory
mechanisms。 The public; meanwhile; betrays no surprise。 It is not
aware of history。 It assumes that humanity is everywhere the same。 It
establishes the success alike of the 〃Incas〃 by Marmontel; and of
〃Gonsalve〃 and the 〃Nouvelles〃 by Florian; also of the peasants;
mechanics; Negroes; Brazilians; Parsees; and Malabarites that appear
before it churning out their exaggerations。 Man is simply regarded as
a reasoning being; alike in all ages and alike in all places;
Bernardin de Saint…Pierre endows his pariah with this habit; like
Diderot; in his Tahitians。 The one recognized principle is that every
human being must think and talk like a book。 … And how inadequate
their historical background! With the exception of 〃Charles XII。;〃 a
contemporary on whom Voltaire; thanks to eye eye…witnesses; bestows
fresh life; also his spirited sketches of Englishmen; Frenchmen;
Spaniards; Italians and Germans; scattered through his stories; where
are real persons to be found? With Hume; Gibbon and Robertson;
belonging to the French school; and who are at once adopted in France;
in the researches into our middle ages of Dubos and of Mably; in the
〃Louis XI〃 of Duclos; in the 〃Anarcharsis〃 of Barthélemy; even in the
〃Essai sur les Moeurs;〃 and in the 〃Siecle de Louis XIV〃 of Voltaire;
even in the 〃Grandeur des Romains;〃 and the 〃Esprit des Lois〃 of
Montesquieu; what peculiar deficiency! Erudition; criticism; common
sense; an almost exact exposition of dogmas and of institutions;
philosophic views of the relationships between events and on the
general run of these; nothing is lacking but the people! On reading
these it seems as if the climates; institutions and civilizations
which so completely modifies the human intellect; are simply so many
outworks; so many fortuitous exteriors; which; far from reflecting its
depths scarcely penetrate beneath its surface。 The vast differences
separating the men of two centuries; or of two peoples; escape them
entirely。'35' The ancient Greek; the early Christian; the conquering
Teuton; the feudal man; the Arab of Mahomet; the German; the
Renaissance Englishman; the puritan; appear in their books as in
engravings and frontispieces; with some difference in costume; but the
same bodies; the same faces; the same countenances; toned down;
obliterated; proper; adapted to the conventionalities of good manners。
That sympathetic imagination by which the writer enters into the mind
of another; and reproduces in himself a system of habits and feelings
so different from his own; is the talent the most absent in the
eighteenth century。 With the exception of Diderot; who uses it badly
and capriciously; it almost entirely disappears in the last half of
the century。 Consider in turn; during the same period; in France and
in England; where it is most extensively used; the romance; a sort of
mirror everywhere transportable; the best adapted to reflect all
phrases of nature and of life。 After reading the series of English
novelists; Defoe; Richardson; Fielding; Smollett; Sterne; and
Goldsmith down to Miss Burney and Miss Austen; I have become familiar
with England in the eighteenth century; I have encountered clergymen;
country gentlemen; farmers; innkeepers; sailors; people of every
condition in life; high and low; I know the details of fortunes and of
careers; how much is earned; how much is expended; how journeys are
made and how people eat and drink: I have accumulated for myself a
file of precise biographical events; a complete picture in a thousand
scenes of an entire community; the amplest stock of information to
guide me should I wish to frame a history of this vanished world。 On
reading a corresponding list of French novelists; the younger
Crébillon; Rousseau; Marmontel; Laclos; Restif de la Breton; Louvet;
Madame de Sta?l; Madame de Genlis and the rest; including Mercier and
even Mme。 Cottin; I scarcely take any notes; all precise and
instructive little facts are left out; I find civilities; polite acts;
gallantries; mischief…making; social dissertations and nothing else。
They carefully abstain from mentioning money; from giving me figures;
from describing a wedding; a trial; the administration of a piece of
property; I am ignorant of the situation of a curate; of a rustic
noble; of a resident prior; of a steward; of an intendant。 Whatever
relates to a province or to the rural districts; to the bourgeoisie or
to the shop;'36' to the army or to a soldier; to the clergy or to
convents; to justice or to the police; to business or to housekeeping
remains vaguely in my mind or is falsified; to clear up any point I am
obliged to recur to that marvelous Voltaire who; on laying aside the
great classic coat; finds plenty of elbow room and tells all。 On the
organs of society of vital importance; on the practices and
regulations that provoke revolutions; on feudal rights and seigniorial
justice; on the mode of recruiting and governing monastic bodies; on
the revenue measures of the provinces; of corporations and of trade…
unions; on the tithes and the corvées;'37' literature provides me with
scarcely any information。 Drawing…rooms and men of letters are
apparently its sole material。 The rest is null and void。 Outside the
good society that is able to converse France appears perfectly empty。
… On the approach of the Revolution the elimination increases。 Look
through the harangues of the clubs and of the tribune; through
reports; legislative bills and pamphlets; and through the mass of
writings prompted by passing and exciting events; in none of them do
we see any sign of the human creature as we see him in the fields and
in the street; he is always regarded as a simple robot; a well known
mechanism。 Among writers he was a moment ago a dispenser of
commonplaces; among politicians he is now a pliable voter ; touch him
in the proper place and he responds in the desired manner。 Facts are
never apparent; only abstractions; long arrays of sentences on nature;
Reason; and the people; on tyrants and liberty; like inflated
balloons; uselessly conflicting with each other in space。 Were we not
aware that all this would terminate in terrible practical effects then
we could regard it as competition in logic; as school exercises;
academic parades; or ideological compositions。 It is; in fact;
Ideology; the last product of the century; which will stamp the
classic spirit with its final formula and last word。
III。 THE MATHEMATICAL METHOD。
The philosophic method in conformity with the Classic Sprit。 …
Ideology。 … Abuse of the mathematical process。 … Condillac; Rousseau;
Mably; Condorcet; Volney; Sieyès; Cabanis; and de Tracy。 … Excesses of
simplification and boldness of organization。
The natural process of the classic spirit is to pursue in every
research; with the utmost confidence; without either