a defence of poesie and poems-第15章
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But what! methinks I deserve to be pounded {94} for straying from poetry to oratory: but both have such an affinity in the wordish considerations; that I think this digression will make my meaning receive the fuller understanding: which is not to take upon me to teach poets how they should do; but only finding myself sick among the rest; to allow sonic one or two spots of the common infection grown among the most part of writers; that; acknowledging ourselves somewhat awry; we may bend to the right use both of matter and manner: whereto our language giveth us great occasion; being; indeed; capable of any excellent exercising of it。 {95} I know some will say; it is a mingled language: and why not so much the better; taking the best of both the other? Another will say; it wanteth grammar。 Nay; truly; it hath that praise; that it wants not grammar; for grammar it might have; but needs it not; being so easy in itself; and so void of those cumbersome differences of cases; genders; moods; and tenses; which; I think; was a piece of the tower of Babylon's curse; that a man should be put to school to learn his mother tongue。 But for the uttering sweetly and properly the conceit of the mind; which is the end of speech; that hath it equally with any other tongue in the world; and is particularly happy in compositions of two or three words together; near the Greek; far beyond the Latin; which is one of the greatest beauties can be in a language。
Now; {96} of versifying there are two sorts; the one ancient; the other modern; the ancient marked the quantity of each syllable; and according to that framed his verse; the modern; observing only number; with some regard of the accent; the chief life of it standeth in that like sounding of the words; which we call rhyme。 Whether of these be the more excellent; would bear many speeches; the ancient; no doubt more fit for music; both words and time observing quantity; and more fit lively to express divers passions; by the low or lofty sound of the well…weighed syllable。 The latter; likewise; with his rhyme striketh a certain music to the ear; and; in fine; since it doth delight; though by another way; it obtaineth the same purpose; there being in either; sweetness; and wanting in neither; majesty。 Truly the English; before any vulgar language I know; is fit for both sorts; for; for the ancient; the Italian is so full of vowels; that it must ever be cumbered with elisions。 The Dutch so; of the other side; with consonants; that they cannot yield the sweet sliding fit for a verse。 The French; in his whole language; hath not one word that hath his accent in the last syllable; saving two; called antepenultima; and little more; hath the Spanish; and therefore very gracelessly may they use dactiles。 The English is subject to none of these defects。
Now for rhyme; though we do not observe quantity; we observe the accent very precisely; which other languages either cannot do; or will not do so absolutely。 That 〃caesura;〃 or breathing…place; in the midst of the verse; neither Italian nor Spanish have; the French and we never almost fail of。 Lastly; even the very rhyme itself the Italian cannot put in the last syllable; by the French named the masculine rhyme; but still in the next to the last; which the French call the female; or the next before that; which the Italian calls 〃sdrucciola:〃 the example of the former is; 〃buono;〃 〃suono;〃 of the sdrucciola is; 〃femina;〃 〃semina。〃 The French; of the other side; hath both the male; as 〃bon;〃 〃son;〃 and the female; as 〃plaise;〃 〃taise;〃 but the 〃sdrucciola〃 he hath not; where the English hath all three; as 〃due;〃 〃true;〃 〃father;〃 〃rather;〃 〃motion;〃 〃potion;〃 with much more which might be said; but that already I find the trifling of this discourse is much too much enlarged。
So {97} that since the ever praiseworthy poesy is full of virtue; breeding delightfulness; and void of no gift that ought to be in the noble name of learning; since the blames laid against it are either false or feeble; since the cause why it is not esteemed in England is the fault of poet…apes; not poets; since; lastly; our tongue is most fit to honour poesy; and to be honoured by poesy; I conjure you all that have had the evil luck to read this ink…wasting toy of mine; even in the name of the Nine Muses; no more to scorn the sacred mysteries of poesy; no more to laugh at the name of poets; as though they were next inheritors to fools; no more to jest at the reverend title of 〃a rhymer;〃 but to believe; with Aristotle; that they were the ancient treasurers of the Grecian's divinity; to believe; with Bembus; that they were the first bringers in of all civility; to believe; with Scaliger; that no philosopher's precepts can sooner make you an honest man; than the reading of Virgil; to believe; with Clauserus; the translator of Cornutus; that it pleased the heavenly deity by Hesiod and Homer; under the veil of fables; to give us all knowledge; logic; rhetoric; philosophy natural and moral; and 〃quid non?〃 to believe; with me; that there are many mysteries contained in poetry; which of purpose were written darkly; lest by profane wits it should be abused; to believe; with Landin; that they are so beloved of the gods that whatsoever they write proceeds of a divine fury。 Lastly; to believe themselves; when they tell you they will make you immortal by their verses。
Thus doing; your names shall flourish in the printers' shops: thus doing; you shall be of kin to many a poetical preface: thus doing; you shall be most fair; most rich; most wise; most all: you shall dwell upon superlatives: thus doing; though you be 〃Libertino patre natus;〃 you shall suddenly grow 〃Herculea proles;〃
〃Si quid mea Carmina possunt:〃
thus doing; your soul shall be placed with Dante's Beatrix; or Virgil's Anchisis。
But if (fie of such a but!) you be born so near the dull…making cataract of Nilus; that you cannot hear the planet…like music of poetry; if you have so earth…creeping a mind; that it cannot lift itself up to look to the sky of poetry; or rather; by a certain rustical disdain; will become such a Mome; as to be a Momus of poetry; then; though I will not wish unto you the ass's ears of Midas; nor to be driven by a poet's verses; as Bubonax was; to hang himself; nor to be rhymed to death; as is said to be done in Ireland; yet thus much curse I must send you in the behalf of all poets; that while you live; you live in love; and never get favour; for lacking skill of a sonnet; and when you die; your memory die from the earth for want of an epitaph。
POEMS
POEM: TWO PASTORALS
Made by Sir Philip Sidney; upon his meeting with his two worthy friends and fellow poets; Sir Edward Dyer and M。 Fulke Greville。
Join mates in mirth to me; Grant pleasure to our meeting; Let Pan; our good god; see How grateful is our greeting。 Join hearts and hands; so let it be; Make but one mind in bodies three。
Ye hymns and singing skill Of god Apollo's giving; Be pressed our reeds to fill With sound of music living。 Join hearts and hands; so let it be; Make but one mind in bodies three。
Sweet Orpheus' harp; whose sound The stedfast mountains moved; Let there thy skill abound; To join sweet friends beloved。 Join hearts and hands; so let it be; Make but one mind in bodies three。
My two and I be met; A happy blessed trinity; As three more jointly set In firmest band of unity。 Join hearts and hands; so let it be; Make but one mind in bodies three。
Welcome my two to me; The number best beloved; Within my heart you be In friendship unremoved。 Join hearts and hands; so let it be; Make but one mind in bodies three。
Give leave your flocks to range; Let us the while be playing; Within the elmy grange; Your flocks will not be straying。 Join hearts and hands; so let it be; Make but one mind in bodies three。
Cause all the mirth you can; Since I am now come hither; Who never joy; but when I am with you together。 Join hearts and hands; so let it be; Make but one mind in bodies three。
Like lovers do their love; So joy I in you seeing: Let nothing me remove From always with you being。 Join hearts and hands; so let it be; Make but one mind in bodies three。
And as the turtle d