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A Mortal Antipathy



by Oliver Wendell Holmes; Sr。








PREFACE。



〃A MORTAL ANTIPATHY〃 was a truly hazardous experiment。  A very wise

and very distinguished physician who is as much at home in literature

as he is in science and the practice of medicine; wrote to me in

referring to this story: 〃I should have been afraid of my subject。〃

He did not explain himself; but I can easily understand that he felt

the improbability of the; physiological or pathological occurrence on

which the story is founded to be so great that the narrative could

hardly be rendered plausible。  I felt the difficulty for myself as

well as for my readers; and it was only by recalling for our

consideration a series of extraordinary but well…authenticated facts

of somewhat similar character that I could hope to gain any serious

attention to so strange a narrative。



I need not recur to these wonderful stories。  There is; however; one;

not to be found on record elsewhere; to which I would especially call

the reader's attention。  It is that of the middle…aged man; who

assured me that he could never pass a tall hall clock without an

indefinable terror。  While an infant in arms the heavy weight of one

of these tall clocks had fallen with aloud crash and produced an

impression on his nervous system which he had never got over。



The lasting effect of a shock received by the sense of sight or that

of hearing is conceivable enough。



But there is another sense; the nerves of which are in close relation

with the higher organs of consciousness。  The strength of the

associations connected with the function of the first pair of nerves;

the olfactory; is familiar to most persons in their own experience

and as related by others。  Now we know that every human being; as

well as every other living organism; carries its own distinguishing

atmosphere。  If a man's friend does not know it; his dog does; and

can track him anywhere by it。  This personal peculiarity varies with

the age and conditions of the individual。  It may be agreeable or

otherwise; a source of attraction or repulsion; but its influence is

not less real; though far less obvious and less dominant; than in the

lower animals。  It was an atmospheric impression of this nature which

associated itself with a terrible shock experienced by the infant

which became the subject of this story。  The impression could not be

outgrown; but it might possibly be broken up by some sudden change in

the nervous system effected by a cause as potent as the one which had

produced the disordered condition。



This is the best key that I can furnish to a story which must have

puzzled some; repelled others; and failed to interest many who did

not suspect the true cause of the mysterious antipathy。



BEVERLY FARMS; MASS。; August; 1891。



O。  W。  H。













A MORTAL ANTIPATHY。



FIRST OPENING OF THE NEW PORTFOLIO。



INTRODUCTION。



〃And why the New Portfolio; I would ask?〃



Pray; do you remember; when there was an accession to the nursery in

which you have a special interest; whether the new…comer was commonly

spoken of as a baby?  Was it not; on the contrary; invariably; under

all conditions; in all companies; by the whole household; spoken of

as the baby?  And was the small receptacle provided for it commonly

spoken of as a cradle; or was it not always called the cradle; as if

there were no other in existence?



Now this New Portfolio is the cradle in which I am to rock my

new…born thoughts; and from which I am to lift them carefully and

show them to callers; namely; to the whole family of readers

belonging to my list of intimates; and such other friends as may drop

in by accident。  And so it shall have the definite article; and not

be lost in the mob of its fellows as a portfolio。



There are a few personal and incidental matters of which I wish to

say something before reaching the contents of the Portfolio; whatever

these may be。  I have had other portfolios before this;two; more

especially; and the first thing I beg leave to introduce relates to

these。



Do not throw this volume down; or turn to another page; when I tell

you that the earliest of them; that of which I now am about to speak;

was opened more than fifty years ago。  This is a very dangerous

confession; for fifty years make everything hopelessly old…fashioned;

without giving it the charm of real antiquity。  If I could say a

hundred years; now; my readers would accept all I had to tell them

with a curious interest; but fifty years ago;there are too many

talkative old people who know all about that time; and at best half a

century is a half…baked bit of ware。  A coin…fancier would say that

your fifty…year…old facts have just enough of antiquity to spot them

with rust; and not enough to give themthe delicate and durable

patina which is time's exquisite enamel。



When the first Portfolio was opened the coin of the realm bore for

its legend;or might have borne if the more devout hero…worshippers

could have had their way;Andreas Jackson; Populi Gratia; Imp。

Caesrzr。  Aug。  Div。; Max。; etc。; etc。  I never happened to see any

gold or silver with that legend; but the truth is I was not very

familiarly acquainted with the precious metals at that period of my

career; and; there might have been a good deal of such coin in

circulation without my handling it; or knowing much about it。



Permit me to indulge in a few reminiscences of that far…off time。



In those days the Athenaeum Picture Gallery was a principal centre of

attraction to young Boston people and their visitors。  Many of us got

our first ideas of art; to say nothing of our first lessons in the

comparatively innocent flirtations of our city's primitive period; in

that agreeable resort of amateurs and artists。



How the pictures on those walls in Pearl Street do keep their places

in the mind's gallery!  Trumbull's Sortie of Gibraltar; with red

enough in it for one of our sunset after…glows; and Neagle's full…

length portrait of the blacksmith in his shirt…sleeves; and Copley's

long…waistcoated gentlemen and satin…clad ladies;they looked like

gentlemen and ladies; too; and Stuart's florid merchants and high…

waisted matrons; and Allston's lovely Italian scenery and dreamy;

unimpassioned women; not forgetting Florimel in full flight on her

interminable rocking…horse;you may still see her at the Art Museum;

and the rival landscapes of Doughty and Fisher; much talked of and

largely praised in those days; and the Murillo;not from Marshal

Soup's collection; and the portrait of Annibale Caracci by himself;

which cost the Athenaeum a hundred dollars; and Cole's allegorical

pictures; and his immense and dreary canvas; in which the prostrate

shepherds and the angel in Joseph's coat of many colors look as if

they must have been thrown in for nothing; and West's brawny Lear

tearing his clothes to pieces。  But why go on with the catalogue;

when most of these pictures can be seen either at the Athenaeum

building in Beacon Street or at the Art Gallery; and admired or

criticised perhaps more justly; certainly not more generously; than

in those earlier years when we looked at them through the japanned

fish…horns?



If one happened to pass through Atkinson Street on his way to the

Athenaeum; he would notice a large; square; painted; brick house; in

which lived a leading representative of old…fashioned coleopterous

Calvinism; and from which emerged one of the liveliest of literary

butterflies。  The father was editor of the 〃Boston Recorder;〃 a very

respectable; but very far from amusing paper; most largely patronized

by that class of the community which spoke habitually of the first

day of the week as 〃the Sahbuth。〃  The son was the editor of several

different periodicals in succession; none of them over severe or

serious; and of many pleasant books; filled with lively descriptions

of society; which be studied

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