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第66章

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the lives of Caesar and Alexandermay be read in half an hour。

Reduced to this measure; they are; however; greatly more imposing

than a lifeless Colossus; or an exaggerated giant。  They are not

overlaid by disquisition and description; but the characters

naturally unfold themselves。  Montaigne; indeed; complained of

Plutarch's brevity。  〃No doubt;〃 he added; 〃but his reputation is

the better for it; though in the meantime we are the worse。

Plutarch would rather we should applaud his judgment than commend

his knowledge; and had rather leave us with an appetite to read

more than glutted with what we have already read。  He knew very

well that a man may say too much even on the best subjects。。。。

Such as have lean and spare bodies stuff themselves out with

clothes; so they who are defective in matter; endeavour to make

amends with words。 (5)



Plutarch possessed the art of delineating the more delicate

features of mind and minute peculiarities of conduct; as well as

the foibles and defects of his heroes; all of which is necessary

to faithful and accurate portraiture。  〃To see him;〃 says

Montaigne; 〃pick out a light action in a man's life; or a word;

that does not seem to be of any importance; is itself a whole

discourse。〃  He even condescends to inform us of such homely

particulars as that Alexander carried his head affectedly on one

side; that Alcibiades was a dandy; and had a lisp; which became

him; giving a grace and persuasive turn to his discourse; that

Cato had red hair and gray eyes; and was a usurer and a screw;

selling off his old slaves when they became unfit for hard work;

that Caesar was bald and fond of gay dress; and that Cicero (like

Lord Brougham) had involuntary twitchings of his nose。



Such minute particulars may by some be thought beneath the dignity

of biography; but Plutarch thought them requisite for the due

finish of the complete portrait which he set himself to draw; and

it is by small details of characterpersonal traits; features;

habits; and characteristicsthat we are enabled to see before us

the men as they really lived。  Plutarch's great merit consists in

his attention to these little things; without giving them undue

preponderance; or neglecting those which are of greater moment。

Sometimes he hits off an individual trait by an anecdote; which

throws more light upon the character described than pages of

rhetorical description would do。  In some cases; he gives us

the favourite maxim of his hero; and the maxims of men often

reveal their hearts。



Then; as to foibles; the greatest of men are not visually

symmetrical。  Each has his defect; his twist; his craze; and it is

by his faults that the great man reveals his common humanity。  We

may; at a distance; admire him as a demigod; but as we come nearer

to him; we find that he is but a fallible man; and our brother。 (6)



Nor are the illustrations of the defects of great men without

their uses; for; as Dr。 Johnson observed; 〃If nothing but the

bright side of characters were shown; we should sit down in

despondency; and think it utterly impossible to imitate

them in anything。〃



Plutarch; himself justifies his method of portraiture by averring

that his design was not to write histories; but lives。  〃The most

glorious exploits;〃 he says; 〃do not always furnish us with the

clearest discoveries of virtue or of vice in men。  Sometimes a

matter of much less moment; an expression or a jest; better

informs us of their characters and inclinations than battles with

the slaughter of tens of thousands; and the greatest arrays of

armies or sieges of cities。  Therefore; as portrait…painters are

more exact in their lines and features of the face and the

expression of the eyes; in which the character is seen; without

troubling themselves about the other parts of the body; so I must

be allowed to give my more particular attention to the signs and

indications of the souls of men; and while I endeavour by these

means to portray their lives; I leave important events and great

battles to be described by others。〃



Things apparently trifling may stand for much in biography as well

as history; and slight circumstances may influence great results。

Pascal has remarked; that if Cleopatra's nose had been shorter;

the whole face of the world would probably have been changed。  But

for the amours of Pepin the Fat; the Saracens might have overrun

Europe; as it was his illegitimate son; Charles Martel; who

overthrew them at Tours; and eventually drove them out of France。



That Sir Walter Scott should have sprained his foot in running

round the room when a child; may seem unworthy of notice in his

biography; yet 'Ivanhoe;' 'Old Mortality;' and all the Waverley

novels depended upon it。  When his son intimated a desire to enter

the army; Scott wrote to Southey; 〃I have no title to combat a

choice which would have been my own; had not my lameness

prevented。〃  So that; had not Scott been lame; he might have

fought all through the Peninsular War; and had his breast covered

with medals; but we should probably have had none of those works

of his which have made his name immortal; and shed so much glory

upon his country。  Talleyrand also was kept out of the army; for

which he had been destined; by his lameness; but directing his

attention to the study of books; and eventually of men; he at

length took rank amongst the greatest diplomatists of his time。



Byron's clubfoot had probably not a little to do with determining

his destiny as a poet。  Had not his mind been embittered and made

morbid by his deformity; he might never have written a linehe

might have been the noblest fop of his day。  But his misshapen

foot stimulated his mind; roused his ardour; threw him upon his

own resourcesand we know with what result。



So; too; of Scarron; to whose hunchback we probably owe his

cynical verse; and of Pope; whose satire was in a measure the

outcome of his deformityfor he was; as Johnson described him;

〃protuberant behind and before。〃  What Lord Bacon said of

deformity is doubtless; to a great extent; true。  〃Whoever;〃

said he; 〃hath anything fixed in his person that doth induce

contempt; hath also a perpetual spur in himself to rescue

and deliver himself from scorn; therefore; all deformed persons

are extremely bold。〃



As in portraiture; so in biography; there must be light and shade。

The portrait…painter does not pose his sitter so as to bring out

his deformities; nor does the biographer give undue prominence to

the defects of the character he portrays。  Not many men are so

outspoken as Cromwell was when he sat to Cooper for his miniature:

〃Paint me as I am;〃 said he; 〃warts and all。〃  Yet; if we would

have a faithful likeness of faces and characters; they must be

painted as they are。  〃Biography;〃 said Sir Walter Scott; 〃the

most interesting of every species of composition; loses all its

interest with me when the shades and lights of the principal

characters are not accurately and faithfully detailed。  I can no

more sympathise with a mere eulogist; than I can with a ranting

hero on the stage。〃 (7)



Addison liked to know as much as possible about the person and

character of his authors; inasmuch as it increased the pleasure

and satisfaction which he derived from the perusal of their books。

What was their history; their experience; their temper and

disposition?  Did their lives resemble their books?  They thought

noblydid they act nobly?  〃Should we not delight;〃 says Sir

Egerton Brydges; 〃to have the frank story of the lives and

feelings of Wordsworth; Southey; Coleridge; Campbell; Rogers;

Moore; and Wilson; related by themselves?with whom they lived

early; how their bent took a decided course; their likes and

dislikes; their difficulties and obstacles; their tastes; their

passions; the rocks they were conscious of having split upon;

their regrets; their complacencies; and their self…

justifications?〃 (8)




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