essays on life, art and science-第19章
按键盘上方向键 ← 或 → 可快速上下翻页,按键盘上的 Enter 键可回到本书目录页,按键盘上方向键 ↑ 可回到本页顶部!
————未阅读完?加入书签已便下次继续阅读!
Behind the sanctuary there is a semi…ruinous and wholly valueless
work; which shows the finding of the black image; which is now in
the church; but is only shown on great festivals。
This leads us to a consideration that I have delayed till now。 The
black image is the central feature of Oropa; it is the raison d'etre
of the whole place; and all else is a mere incrustation; so to
speak; around it。 According to this image; then; which was carved
by St。 Luke himself; and than which nothing can be better
authenticated; both the Madonna and the infant Christ were as black
as anything can be conceived。 It is not likely that they were as
black as they have been painted; no one yet ever was so black as
that; yet; even allowing for some exaggeration on St。 Luke's part;
they must have been exceedingly black if the portrait is to be
accepted; and uncompromisingly black they accordingly are on most of
the wayside chapels for many a mile around Oropa。 Yet in the
chapels we have been hitherto consideringworks in which; as we
know; the most punctilious regard has been shown to accuracyboth
the Virgin and Christ are uncompromisingly white。 As in the shops
under the Colonnade where devotional knick…knacks are sold; you can
buy a black china image or a white one; whichever you like; so with
the picturesthe black and white are placed side by sidepagando
il danaro si puo scegliere。 It rests not with history or with the
Church to say whether the Madonna and Child were black or white; but
you may settle it for yourself; whichever way you please; or rather
you are required; with the acquiescence of the Church; to hold that
they were both black and white at one and the same time。
It cannot be maintained that the Church leaves the matter undecided;
and by tolerating both types proclaims the question an open one; for
she acquiesces in the portrait by St。 Luke as genuine。 How; then;
justify the whiteness of the Holy Family in the chapels? If the
portrait is not known as genuine; why set such a stumbling…block in
our paths as to show us a black Madonna and a white one; both as
historically accurate; within a few yards of one another?
I ask this not in mockery; but as knowing that the Church must have
an explanation to give; if she would only give it; and as myself
unable to find any; even the most farfetched; that can bring what we
see at Oropa; Loreto and elsewhere into harmony with modern
conscience; either intellectual or ethical。
I see; indeed; from an interesting article in the Atlantic Monthly
for September 1889; entitled 〃The Black Madonna of Loreto;〃 that
black Madonnas were so frequent in ancient Christian art that 〃some
of the early writers of the Church felt obliged to account for it by
explaining that the Virgin was of a very dark complexion; as might
be proved by the verse of Canticles which says; 'I am black; but
comely; O ye daughters of Jerusalem。' Others maintained that she
became black during her sojourn in Egypt。 。 。 。 Priests; of to…day;
say that extreme age and exposure to the smoke of countless altar…
candles have caused that change in complexion which the more naive
fathers of the Church attributed to the power of an Egyptian sun〃;
but the writer ruthlessly disposes of this supposition by pointing
out that in nearly all the instances of black Madonnas it is the
flesh alone that is entirely black; the crimson of the lips; the
white of the eyes; and the draperies having preserved their original
colour。 The authoress of the article (Mrs。 Hilliard) goes on to
tell us that Pausanias mentions two statues of the black Venus; and
says that the oldest statue of Ceres among the Phigalenses was
black。 She adds that Minerva Aglaurus; the daughter of Cecrops; at
Athens; was black; that Corinth had a black Venus; as also the
Thespians; that the oracles of Dodona and Delphi were founded by
black doves; the emissaries of Venus; and that the Isis Multimammia
in the Capitol at Rome is black。
Sometimes I have asked myself whether the Church does not intend to
suggest that the whole story falls outside the domain of history;
and is to be held as the one great epos; or myth; common to all
mankind; adaptable by each nation according to its own several
needs; translatable; so to speak; into the facts of each individual
nation; as the written word is translatable into its language; but
appertaining to the realm of the imagination rather than to that of
the understanding; and precious for spiritual rather than literal
truths。 More briefly; I have wondered whether she may not intend
that such details as whether the Virgin was white or black are of
very little importance in comparison with the basing of ethics on a
story that shall appeal to black races as well as to white ones。
If so; it is time we were made to understand this more clearly。 If
the Church; whether of Rome or England; would lean to some such view
as thistainted though it be with mysticismif we could see either
great branch of the Church make a frank; authoritative attempt to
bring its teaching into greater harmony with the educated
understanding and conscience of the time; instead of trying to
fetter that understanding with bonds that gall it daily more and
more profoundly; then I; for one; in view of the difficulty and
graciousness of the task; and in view of the great importance of
historical continuity; would gladly sink much of my own private
opinion as to the value of the Christian ideal; and would gratefully
help either Church or both; according to the best of my very feeble
ability。 On these terms; indeed; I could swallow not a few camels
myself cheerfully enough。
Can we; however; see any signs as though either Rome or England will
stir hand or foot to meet us? Can any step be pointed to as though
either Church wished to make things easier for men holding the
opinions held by the late Mr。 Darwin; or by Mr。 Herbert Spencer and
Professor Huxley? How can those who accept evolution with any
thoroughness accept such doctrines as the Incarnation or the
Redemption with any but a quasi…allegorical and poetical
interpretation? Can we conceivably accept these doctrines in the
literal sense in which the Church advances them? And can the
leaders of the Church be blind to the resistlessness of the current
that has set against those literal interpretations which she seems
to hug more and more closely the more religious life is awakened at
all? The clergyman is wanted as supplementing the doctor and the
lawyer in all civilised communities; these three keep watch on one
another; and prevent one another from becoming too powerful。 I; who
distrust the doctrinaire in science even more than the doctrinaire
in religion; should view with dismay the abolition of the Church of
England; as knowing that a blatant bastard science would instantly
step into her shoes; but if some such deplorable consummation is to
be avoided in England; it can only be through more evident leaning
on the part of our clergy to such an interpretation of the Sacred
History as the presence of a black and white Madonna almost side by
side at Oropa appears to suggest。
I fear that in these last paragraphs I may have trenched on
dangerous ground; but it is not possible to go to such places as
Oropa without asking oneself what they mean and involve。 As for the
average Italian pilgrims; they do not appear to give the matter so
much as a thought。 They love Oropa; and flock to it in thousands
during the summer; the President of the Administration assured me
that they lodged; after a fashion; as many as ten thousand pilgrims
on the 15th of last August。 It is astonishing how living the
statues are to these people; and how the wicked are upbraided and
the good applauded。 At Varallo; since I took the photographs I
published in my book 〃Ex Voto;〃 an angry pilgrim has smashed the
nose of the dwarf in Tabachetti's Journey to Calvary; for no other
reason than inability to restrain his indignation against one who
was helping to inflict pain on Christ。 It is the real hair and the
painting up to nature that does this。 Here at Oropa I found a paper
on the floor of the Sposalizio Chapel; which ran