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was pure Scandinavian; this FRICKA: 〃Swedish summer〃!



he remembered old Mr。 Nathanmeyer's phrase。  She had



wished him to see her because she had a distinct kind of



loveliness for this part; a shining beauty like the light of



sunset on distant sails。  She seemed to take on the look



of immortal loveliness; the youth of the golden apples; the



shining body and the shining mind。  FRICKA had been a



jealous spouse to him for so long that he had forgot she



meant wisdom before she meant domestic order; and that;



in any event; she was always a goddess。  The FRICKA of



that afternoon was so clear and sunny; so nobly conceived;



that she made a whole atmosphere about herself and quite



redeemed from shabbiness the helplessness and unscrupu…



lousness of the gods。  Her reproaches to WOTAN were the



pleadings of a tempered mind; a consistent sense of beauty。



In the long silences of her part; her shining presence was a















visible complement to the discussion of the orchestra。  As



the themes which were to help in weaving the drama to its



end first came vaguely upon the ear; one saw their import



and tendency in the face of this clearest…visioned of the



gods。







     In the scene between FRICKA and WOTAN; Ottenburg



stopped。  〃I can't seem to get the voices; in there。〃







     Landry chuckled。  〃Don't try。  I know it well enough。



I expect I've been over that with her a thousand times。  I



was playing for her almost every day when she was first



working on it。  When she begins with a part she's hard to



work with: so slow you'd think she was stupid if you didn't



know her。  Of course she blames it all on her accompanist。



It goes on like that for weeks sometimes。  This did。  She



kept shaking her head and staring and looking gloomy。



All at once; she got her lineit usually comes suddenly;



after stretches of not getting anywhere at alland after



that it kept changing and clearing。  As she worked her voice



into it; it got more and more of that ‘gold' quality that



makes her FRICKA so different。〃







     Fred began FRICKA'S first aria again。  〃It's certainly



different。  Curious how she does it。  Such a beautiful idea;



out of a part that's always been so ungrateful。  She's a



lovely thing; but she was never so beautiful as that; really。



Nobody is。〃  He repeated the loveliest phrase。  〃How does



she manage it; Landry?  You've worked with her。〃







     Landry drew cherishingly on the last cigarette he meant



to permit himself before singing。  〃Oh; it's a question of a



big personalityand all that goes with it。  Brains; of



course。  Imagination; of course。  But the important thing



is that she was born full of color; with a rich personality。



That's a gift of the gods; like a fine nose。  You have it; or



you haven't。  Against it; intelligence and musicianship



and habits of industry don't count at all。  Singers are a



conventional race。  When Thea was studying in Berlin the



other girls were mortally afraid of her。  She has a pretty















rough hand with women; dull ones; and she could be rude;



too!  The girls used to call her DIE WOLFIN。〃







     Fred thrust his hands into his pockets and leaned back



against the piano。  〃Of course; even a stupid woman



could get effects with such machinery: such a voice and



body and face。  But they couldn't possibly belong to a



stupid woman; could they?〃







     Landry shook his head。  〃It's personality; that's as near



as you can come to it。  That's what constitutes real equip…



ment。  What she does is interesting because she does it。



Even the things she discards are suggestive。  I regret some



of them。  Her conceptions are colored in so many different



ways。  You've heard her ELIZABETH?  Wonderful; isn't it?



She was working on that part years ago when her mother



was ill。  I could see her anxiety and grief getting more



and more into the part。  The last act is heart…breaking。



It's as homely as a country prayer meeting: might be



any lonely woman getting ready to die。  It's full of the



thing every plain creature finds out for himself; but that



never gets written down。  It's unconscious memory; maybe;



inherited memory; like folk…music。  I call it personality。〃







     Fred laughed; and turning to the piano began coaxing



the FRICKA music again。  〃Call it anything you like; my



boy。  I have a name for it myself; but I shan't tell you。〃



He looked over his shoulder at Landry; stretched out by



the fire。  〃You have a great time watching her; don't



you?〃







     〃Oh; yes!〃 replied Landry simply。  〃I'm not interested



in much that goes on in New York。  Now; if you'll excuse



me; I'll have to dress。〃  He rose with a reluctant sigh。



〃Can I get you anything?  Some whiskey?〃







     〃Thank you; no。  I'll amuse myself here。  I don't often



get a chance at a good piano when I'm away from home。



You haven't had this one long; have you?  Action's a bit



stiff。  I say;〃 he stopped Landry in the doorway; 〃has



Thea ever been down here?〃



















     Landry turned back。  〃Yes。  She came several times



when I had erysipelas。  I was a nice mess; with two



nurses。  She brought down some inside window…boxes;



planted with crocuses and things。  Very cheering; only I



couldn't see them or her。〃







     〃Didn't she like your place?〃







     〃She thought she did; but I fancy it was a good deal



cluttered up for her taste。  I could hear her pacing about



like something in a cage。  She pushed the piano back



against the wall and the chairs into corners; and she broke



my amber elephant。〃  Landry took a yellow object some



four inches high from one of his low bookcases。  〃You can



see where his leg is glued on;a souvenir。  Yes; he's



lemon amber; very fine。〃







     Landry disappeared behind the curtains and in a moment



Fred heard the wheeze of an atomizer。  He put the amber



elephant on the piano beside him and seemed to get a great



deal of amusement out of the beast。



























                                IX











     WHEN Archie and Ottenburg dined with Thea on



Saturday evening; they were served downstairs in



the hotel dining…room; but they were to have their coffee



in her own apartment。  As they were going up in the ele…



vator after dinner; Fred turned suddenly to Thea。  〃And



why; please; did you break Landry's amber elephant?〃







     She looked guilty and began to laugh。  〃Hasn't he got



over that yet?  I didn't really mean to break it。  I was per…



haps careless。  His things are so over…petted that I was



tempted to be careless with a lot of them。〃







     〃How can you be so heartless; when they're all he has



in the world?〃







     〃He has me。  I'm a great deal of diversion for him; all he



needs。  There;〃 she said as she opened the door into her



own hall; 〃I shouldn't have said that before the elevator



boy。〃







     〃Even an elevator boy couldn't make a scandal about



Oliver。  He's such a catnip man。〃







     Dr。 Archie laughed; but Thea; who seemed suddenly to



have thought of something annoying; repeated blankly;



〃Catnip man?〃







     〃Yes; he lives on catnip; and rum tea。  But he's not the



only one。  You are like an eccentric old woman I know in



Boston; who goes about in the spring feeding catnip to



street cats。  You dispense it to a lot of fellows。  Your pull



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