the americanization of edward bok-第32章
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distinctly feminine appeal; he must; as the term goes; 〃understand women。〃 If Bok had believed this to be true; he would never have assumed the position。 How deeply rooted is this belief was brought home to him on every hand when his decision to accept the Philadelphia position was announced。 His mother; knowing her son better than did any one else; looked at him with amazement。 She could not believe that he was serious in his decision to cater to women's needs when he knew so little about them。 His friends; too; were intensely amused; and took no pains to hide their amusement from him。 They knew him to be the very opposite of 〃a lady's man;〃 and when they were not convulsed with hilarity they were incredulous and marvelled。
No man; perhaps; could have been chosen for the position who had a less intimate knowledge of women。 Bok had no sister; no women confidantes: he had lived with and for his mother。 She was the only woman he really knew or who really knew him。 His boyhood days had been too full of poverty and struggle to permit him to mingle with the opposite sex。 And it is a curious fact that Edward Bok's instinctive attitude toward women was that of avoidance。 He did not dislike women; but it could not be said that he liked them。 They had never interested him。 Of women; therefore; he knew little; of their needs less。 Nor had he the slightest desire; even as an editor; to know them better; or to seek to understand them。 Even at that age; he knew that; as a man; he could not; no matter what effort he might make; and he let it go at that。
What he saw in the position was not the need to know women; he could employ women for that purpose。 He perceived clearly that the editor of a magazine was largely an executive: his was principally the work of direction; of studying currents and movements; watching their formation; their tendency; their efficacy if advocated or translated into actuality; and then selecting from the horizon those that were for the best interests of the home。 For a home was something Edward Bok did understand。 He had always lived in one; had struggled to keep it together; and he knew every inch of the hard road that makes for domestic permanence amid adverse financial conditions。 And at the home he aimed rather than at the woman in it。
It was upon his instinct that he intended to rely rather than upon any knowledge of woman。 His first act in the editorial chair of The Ladies' Home Journal showed him to be right in this diagnosis of himself; for the incident proved not only how correct was his instinct; but how woefully lacking he was in any knowledge of the feminine nature。
He had divined the fact that in thousands of cases the American mother was not the confidante of her daughter; and reasoned if an inviting human personality could be created on the printed page that would supply this lamentable lack of American family life; girls would flock to such a figure。 But all depended on the confidence which the written word could inspire。 He tried several writers; but in each case the particular touch that he sought for was lacking。 It seemed so simple to him; and yet he could not translate it to others。 Then; in desperation; he wrote an installment of such a department as he had in mind himself; intending to show it to a writer he had in view; thus giving her a visual demonstration。 He took it to the office the next morning; intending to have it copied; but the manuscript accidentally attached itself to another intended for the composing…room; and it was not until the superintendent of the composing…room during the day said to him; 〃I didn't know Miss Ashmead wrote;〃 that Bok knew where his manuscript had gone。
Miss Ashmead?〃 asked the puzzled editor。
Yes; Miss Ashmead in your department;〃 was the answer。
The whereabouts of the manuscript was then disclosed; and the editor called for its return。 He had called the department 〃Side Talks with Girls〃 by Ruth Ashmead。
〃My girls all hope this is going into the magazine;〃 said the superintendent when he returned the manuscript。
〃Why?〃 asked the editor。
〃Well; they say it's the best stuff for girls they have ever read。 They'd love to know Miss Ashmead better。〃
Here was exactly what the editor wanted; but he was the author! He changed the name to Ruth Ashmore; and decided to let the manuscript go into the magazine。 He reasoned that he would then have a month in which to see the writer he had in mind; and he would show her the proof。 But a month filled itself with other duties; and before the editor was aware of it; the composition…room wanted 〃copy〃 for the second installment of 〃Side Talks with Girls。〃 Once more the editor furnished the copy!
Within two weeks after the second article had been written; the magazine containing the first installment of the new department appeared; and the next day two hundred letters were received for 〃Ruth Ashmore;〃 with the mail…clerk asking where they should be sent。 〃Leave them with me; please;〃 replied the editor。 On the following day the mail…clerk handed him five hundred more。
The editor now took two letters from the top and opened them。 He never opened the third! That evening he took the bundle home; and told his mother of his predicament。 She read the letters and looked at her son。 〃You have no right to read these;〃 she said。 The son readily agreed。
His instinct had correctly interpreted the need; but he never dreamed how far the feminine nature would reveal itself on paper。
The next morning the editor; with his letters; took the train for New York and sought his friend; Mrs。 Isabel A。 Mallon; the 〃Bab〃 of his popular syndicate letter。
〃Have you read this department?〃 he asked; pointing to the page in the magazine。
〃I have;〃 answered Mrs。 Mallon。 〃Very well done; too; it is。 Who is 'Ruth Ashmore'?'
〃You are;〃 answered Edward Bok。 And while it took considerable persuasion; from that time on Mrs。 Mallon became Ruth Ashmore; the most ridiculed writer in the magazine world; and yet the most helpful editor that ever conducted a department in periodical literature。 For sixteen years she conducted the department; until she passed away; her last act being to dictate a letter to a correspondent。 In those sixteen years she had received one hundred and fifty…eight thousand letters: she kept three stenographers busy; and the number of girls who to…day bless the name of Ruth Ashmore is legion。
But the newspaper humorists who insisted that Ruth Ashmore was none other than Edward Bok never knew the partial truth of their joke!
The editor soon supplemented this department with one dealing with the spiritual needs of the mature woman。 〃The King's Daughters〃 was then an organization at the summit of its usefulness; with Margaret Bottome its president。 Edward Bok had heard Mrs。 Bottome speak; had met her personally; and decided that she was the editor for the department he had in mind。
〃I want it written in an intimate way as if there were only two persons in the world; you and the person reading。 I want heart to speak to heart。 We will make that the title;〃 said the editor; and unconsciously he thus created the title that has since become familiar wherever English is spoken: 〃Heart to Heart Talks。〃 The title gave the department an instantaneous hearing; the material in it carried out its spirit; and soon Mrs。 Bottome's department rivaled; in popularity; the page by Ruth Ashmore。
These two departments more than anything else; and the irresistible picture of a man editing a woman's magazine; brought forth an era of newspaper paragraphing and a flood of so…called 〃humorous〃 references to the magazine and editor。 It became the vogue to poke fun at both。 The humorous papers took it up; the cartoonists helped it along; and actors introduced the name of the magazine on the stage in plays and skits。 Never did a periodical receive such an amount of gratuitous advertising。 Much of the wit was absolutely without malice: some of it was written by Edward Bok's best friends; who volunteered to 〃let up〃 would he but raise a finger。
But he did not raise the finger。 No one enjoyed the 〃paragraphs〃 more heartily when the wit was good; and in that case; if the writer was unknown to him; he sought him out and