the mirror of the sea-第7章
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sincerity; which; like a law of Nature; rules an infinity of
different phenomena。 Your endeavour must be single…minded。 You
would talk differently to a coal…heaver and to a professor。 But is
this duplicity? I deny it。 The truth consists in the genuineness
of the feeling; in the genuine recognition of the two men; so
similar and so different; as your two partners in the hazard of
life。 Obviously; a humbug; thinking only of winning his little
race; would stand a chance of profiting by his artifices。 Men;
professors or coal…heavers; are easily deceived; they even have an
extraordinary knack of lending themselves to deception; a sort of
curious and inexplicable propensity to allow themselves to be led
by the nose with their eyes open。 But a ship is a creature which
we have brought into the world; as it were on purpose to keep us up
to the mark。 In her handling a ship will not put up with a mere
pretender; as; for instance; the public will do with Mr。 X; the
popular statesman; Mr。 Y; the popular scientist; or Mr。 Z; the
popular … what shall we say? … anything from a teacher of high
morality to a bagman … who have won their little race。 But I would
like (though not accustomed to betting) to wager a large sum that
not one of the few first…rate skippers of racing yachts has ever
been a humbug。 It would have been too difficult。 The difficulty
arises from the fact that one does not deal with ships in a mob;
but with a ship as an individual。 So we may have to do with men。
But in each of us there lurks some particle of the mob spirit; of
the mob temperament。 No matter how earnestly we strive against
each other; we remain brothers on the lowest side of our intellect
and in the instability of our feelings。 With ships it is not so。
Much as they are to us; they are nothing to each other。 Those
sensitive creatures have no ears for our blandishments。 It takes
something more than words to cajole them to do our will; to cover
us with glory。 Luckily; too; or else there would have been more
shoddy reputations for first…rate seamanship。 Ships have no ears;
I repeat; though; indeed; I think I have known ships who really
seemed to have had eyes; or else I cannot understand on what ground
a certain 1;000…ton barque of my acquaintance on one particular
occasion refused to answer her helm; thereby saving a frightful
smash to two ships and to a very good man's reputation。 I knew her
intimately for two years; and in no other instance either before or
since have I known her to do that thing。 The man she had served so
well (guessing; perhaps; at the depths of his affection for her) I
have known much longer; and in bare justice to him I must say that
this confidence…shattering experience (though so fortunate) only
augmented his trust in her。 Yes; our ships have no ears; and thus
they cannot be deceived。 I would illustrate my idea of fidelity as
between man and ship; between the master and his art; by a
statement which; though it might appear shockingly sophisticated;
is really very simple。 I would say that a racing…yacht skipper who
thought of nothing else but the glory of winning the race would
never attain to any eminence of reputation。 The genuine masters of
their craft … I say this confidently from my experience of ships …
have thought of nothing but of doing their very best by the vessel
under their charge。 To forget one's self; to surrender all
personal feeling in the service of that fine art; is the only way
for a seaman to the faithful discharge of his trust。
Such is the service of a fine art and of ships that sail the sea。
And therein I think I can lay my finger upon the difference between
the seamen of yesterday; who are still with us; and the seamen of
to…morrow; already entered upon the possession of their
inheritance。 History repeats itself; but the special call of an
art which has passed away is never reproduced。 It is as utterly
gone out of the world as the song of a destroyed wild bird。
Nothing will awaken the same response of pleasurable emotion or
conscientious endeavour。 And the sailing of any vessel afloat is
an art whose fine form seems already receding from us on its way to
the overshadowed Valley of Oblivion。 The taking of a modern
steamship about the world (though one would not minimize its
responsibilities) has not the same quality of intimacy with nature;
which; after all; is an indispensable condition to the building up
of an art。 It is less personal and a more exact calling; less
arduous; but also less gratifying in the lack of close communion
between the artist and the medium of his art。 It is; in short;
less a matter of love。 Its effects are measured exactly in time
and space as no effect of an art can be。 It is an occupation which
a man not desperately subject to sea…sickness can be imagined to
follow with content; without enthusiasm; with industry; without
affection。 Punctuality is its watchword。 The incertitude which
attends closely every artistic endeavour is absent from its
regulated enterprise。 It has no great moments of self…confidence;
or moments not less great of doubt and heart…searching。 It is an
industry which; like other industries; has its romance; its honour
and its rewards; its bitter anxieties and its hours of ease。 But
such sea…going has not the artistic quality of a single…handed
struggle with something much greater than yourself; it is not the
laborious absorbing practice of an art whose ultimate result
remains on the knees of the gods。 It is not an individual;
temperamental achievement; but simply the skilled use of a captured
force; merely another step forward upon the way of universal
conquest。
IX。
Every passage of a ship of yesterday; whose yards were braced round
eagerly the very moment the pilot; with his pockets full of
letters; had got over the side; was like a race … a race against
time; against an ideal standard of achievement outstripping the
expectations of common men。 Like all true art; the general conduct
of a ship and her handling in particular cases had a technique
which could be discussed with delight and pleasure by men who found
in their work; not bread alone; but an outlet for the peculiarities
of their temperament。 To get the best and truest effect from the
infinitely varying moods of sky and sea; not pictorially; but in
the spirit of their calling; was their vocation; one and all; and
they recognised this with as much sincerity; and drew as much
inspiration from this reality; as any man who ever put brush to
canvas。 The diversity of temperaments was immense amongst those
masters of the fine art。
Some of them were like Royal Academicians of a certain kind。 They
never startled you by a touch of originality; by a fresh audacity
of inspiration。 They were safe; very safe。 They went about
solemnly in the assurance of their consecrated and empty
reputation。 Names are odious; but I remember one of them who might
have been their very president; the P。R。A。 of the sea…craft。 His
weather…beaten and handsome face; his portly presence; his shirt…
fronts and broad cuffs and gold links; his air of bluff
distinction; impressed the humble beholders (stevedores; tally
clerks; tide…waiters) as he walked ashore over the gangway of his
ship lying at the Circular Quay in Sydney。 His voice was deep;
hearty; and authoritative … the voice of a very prince amongst
sailors。 He did everything with an air which put your attention on
the alert and raised your expectations; but the result somehow was
always on stereotyped lines; unsuggestive; empty of any lesson that
one could lay to heart。 He kept his ship in apple…pie order; which
would