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第16章

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restless eyes; and compressed lips。  He listened; with many

ejaculations of horror; to his relation's recital; and sought

earnestly; but in vain; to induce him to give information against

his protege。



〃Tush; tush; Rene Dumas!〃 said the old man; 〃you are a lawyer。

You are bred to regard human life with contempt。  Let any man

break a law; and you shout; 'Execute him!'〃



〃I!〃 cried Dumas; lifting up his hands and eyes:  〃venerable

sage; how you misjudge me!  I lament more than any one the

severity of our code。  I think the state never should take away

life;no; not even the life of a murderer。  I agree with that

young statesman;Maximilien Robespierre;that the executioner

is the invention of the tyrant。  My very attachment to our

advancing revolution is; that it must sweep away this legal

butchery。〃



The lawyer paused; out of breath。  The stranger regarded him

fixedly and turned pale。



〃You change countenance; sir;〃 said Dumas; 〃you do not agree with

me。〃



〃Pardon me; I was at that moment repressing a vague fear which

seemed prophetic。〃



〃And that〃



〃Was that we should meet again; when your opinions on Death and

the philosophy of Revolutions might be different。〃



〃Never!〃



〃You enchant me; Cousin Rene;〃 said the old man; who had listened

to his relation with delight。  〃Ah; I see you have proper

sentiments of justice and philanthropy。  Why did I not seek to

know you before?  You admire the Revolution;you; equally with

me; detest the barbarity of kings and the fraud of priests?〃



〃Detest!  How could I love mankind if I did not?〃



〃And;〃 said the old man; hesitatingly; 〃you do not think; with

this noble gentleman; that I erred in the precepts I instilled

into that wretched man?〃



〃Erred!  Was Socrates to blame if Alcibiades was an adulterer and

a traitor?〃



〃You hear him; you hear him!  But Socrates had also a Plato;

henceforth you shall be a Plato to me。  You hear him?〃 exclaimed

the old man; turning to the stranger。



But the latter was at the threshold。  Who shall argue with the

most stubborn of all bigotries;the fanaticism of unbelief?



〃Are you going?〃 exclaimed Dumas; 〃and before I have thanked you;

blessed you; for the life of this dear and venerable man?  Oh; if

ever I can repay you;if ever you want the heart's blood of Rene

Dumas!〃  Thus volubly delivering himself; he followed the

stranger to the threshold of the second chamber; and there;

gently detaining him; and after looking over his shoulder; to be

sure that he was not heard by the owner; he whispered; 〃I ought

to return to Nancy。  One would not lose one's time;you don't

think; sir; that that scoundrel took away ALL the old fool's

money?〃



〃Was it thus Plato spoke of Socrates; Monsieur Dumas?〃



〃Ha; ha!you are caustic。  Well; you have a right。  Sir; we

shall meet again。〃



〃AGAIN!〃 muttered the stranger; and his brow darkened。  He

hastened to his chamber; he passed the day and the night alone;

and in studies; no matter of what nature;they served to

increase his gloom。



What could ever connect his fate with Rene Dumas; or the fugitive

assassin?  Why did the buoyant air of Paris seem to him heavy

with the steams of blood; why did an instinct urge him to fly

from those sparkling circles; from that focus of the world's

awakened hopes; warning him from return?he; whose lofty

existence defiedbut away these dreams and omens!  He leaves

France behind。  Back; O Italy; to thy majestic wrecks!  On the

Alps his soul breathes the free air once more。  Free air!  Alas!

let the world…healers exhaust their chemistry; man never shall be

as free in the marketplace as on the mountain。  But we; reader;

we too escape from these scenes of false wisdom clothing godless

crime。  Away; once more



〃In den heitern Regionen

Wo die reinen Formen wohnen。〃



Away; to the loftier realm where the pure dwellers are。

Unpolluted by the Actual; the Ideal lives only with Art and

Beauty。  Sweet Viola; by the shores of the blue Parthenope; by

Virgil's tomb; and the Cimmerian cavern; we return to thee once

more。





CHAPTER 1。IX。



Che non vuol che 'l destrier piu vada in alto;

Poi lo lega nel margine marino

A un verde mirto in mezzo un lauro E UN PINO。

〃Orlando Furioso;〃 c。 vi。 xxiii。



(As he did not wish that his charger (the hippogriff) should take

any further excursions into the higher regions for the present;

he bound him at the sea…shore to a green myrtle between a laurel

and a pine。)



O Musician! art thou happy now?  Thou art reinstalled at thy

stately desk;thy faithful barbiton has its share in the

triumph。  It is thy masterpiece which fills thy ear; it is thy

daughter who fills the scene;the music; the actress; so united;

that applause to one is applause to both。  They make way for

thee; at the orchestra;they no longer jeer and wink; when; with

a fierce fondness; thou dost caress thy Familiar; that plains;

and wails; and chides; and growls; under thy remorseless hand。

They understand now how irregular is ever the symmetry of real

genius。  The inequalities in its surface make the moon luminous

to man。  Giovanni Paisiello; Maestro di Capella; if thy gentle

soul could know envy; thou must sicken to see thy Elfrida and thy

Pirro laid aside; and all Naples turned fanatic to the Siren; at

whose measures shook querulously thy gentle head!  But thou;

Paisiello; calm in the long prosperity of fame; knowest that the

New will have its day; and comfortest thyself that the Elfrida

and the Pirro will live forever。  Perhaps a mistake; but it is by

such mistakes that true genius conquers envy。  〃To be immortal;〃

says Schiller; 〃live in the whole。〃  To be superior to the hour;

live in thy self…esteem。  The audience now would give their ears

for those variations and flights they were once wont to hiss。

No!Pisani has been two…thirds of a life at silent work on his

masterpiece:  there is nothing he can add to THAT; however he

might have sought to improve on the masterpieces of others。  Is

not this common?  The least little critic; in reviewing some work

of art; will say; 〃pity this; and pity that;〃 〃this should have

been altered;that omitted。〃  Yea; with his wiry fiddlestring

will he creak out his accursed variations。  But let him sit down

and compose himself。  He sees no improvement in variations THEN!

Every man can control his fiddle when it is his own work with

which its vagaries would play the devil。



And Viola is the idol; the theme of Naples。  She is the spoiled

sultana of the boards。  To spoil her acting may be easy enough;

shall they spoil her nature?  No; I think not。  There; at home;

she is still good and simple; and there; under the awning by the

doorway;there she still sits; divinely musing。  How often;

crook…trunked tree; she looks to thy green boughs; how often;

like thee; in her dreams; and fancies; does she struggle for the

light;not the light of the stage…lamps。  Pooh; child! be

contented with the lamps; even with the rush…lights。  A farthing

candle is more convenient for household purposes than the stars。



Weeks passed; and the stranger did not reappear; months had

passed; and his prophecy of sorrow was not yet fulfilled。  One

evening Pisani was taken ill。  His success had brought on the

long…neglected composer pressing applications for concerti and

sonata; adapted to his more peculiar science on the violin。  He

had been employed for some weeks; day and night; on a piece in

which he hoped to excel himself。  He took; as usual; one of those

seemingly impracticable subjects which it was his pride to

subject to the expressive powers of his art;the terrible legend

connected with the transformation of Philomel。  The pantomime of

sound opened with the gay merriment of a feast。  The monarch of

Thrace is at his banquet; a sudden discord brays through the

joyous notes;the string seems to screech with horror。  The king

learns the mur

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