a personal record-第3章
按键盘上方向键 ← 或 → 可快速上下翻页,按键盘上的 Enter 键可回到本书目录页,按键盘上方向键 ↑ 可回到本页顶部!
————未阅读完?加入书签已便下次继续阅读!
them the undemonstrative tribute of a sigh which is not a sob;
and of a smile which is not a grin。 Resignation; not mystic; not
detached; but resignation open…eyed; conscious; and informed by
love; is the only one of our feelings for which it is impossible
to become a sham。
Not that I think resignation the last word of wisdom。 I am too
much the creature of my time for that。 But I think that the
proper wisdom is to will what the gods will without; perhaps;
being certain what their will isor even if they have a will of
their own。 And in this matter of life and art it is not the Why
that matters so much to our happiness as the How。 As the
Frenchman said; 〃Il y a toujours la maniere。〃 Very true。 Yes。
There is the manner。 The manner in laughter; in tears; in irony;
in indignations and enthusiasms; in judgmentsand even in love。
The manner in which; as in the features and character of a human
face; the inner truth is foreshadowed for those who know how to
look at their kind。
Those who read me know my conviction that the world; the temporal
world; rests on a few very simple ideas; so simple that they must
be as old as the hills。 It rests notably; among others; on the
idea of Fidelity。 At a time when nothing which is not
revolutionary in some way or other can expect to attract much
attention I have not been revolutionary in my writings。 The
revolutionary spirit is mighty convenient in this; that it frees
one from all scruples as regards ideas。 Its hard; absolute
optimism is repulsive to my mind by the menace of fanaticism and
intolerance it contains。 No doubt one should smile at these
things; but; imperfect Esthete; I am no better Philosopher。
All claim to special righteousness awakens in me that scorn and
danger from which a philosophical mind should be free。 。 。 。
I fear that trying to be conversational I have only managed to be
unduly discursive。 I have never been very well acquainted with
the art of conversationthat art which; I understand; is
supposed to be lost now。 My young days; the days when one's
habits and character are formed; have been rather familiar with
long silences。 Such voices as broke into them were anything but
conversational。 No。 I haven't got the habit。 Yet this
discursiveness is not so irrelevant to the handful of pages which
follow。 They; too; have been charged with discursiveness; with
disregard of chronological order (which is in itself a crime);
with unconventionality of form (which is an impropriety)。 I was
told severely that the public would view with displeasure the
informal character of my recollections。 〃Alas!〃 I protested;
mildly。 〃Could I begin with the sacramental words; 'I was born
on such a date in such a place'? The remoteness of the locality
would have robbed the statement of all interest。 I haven't lived
through wonderful adventures to be related seriatim。 I haven't
known distinguished men on whom I could pass fatuous remarks。 I
haven't been mixed up with great or scandalous affairs。 This is
but a bit of psychological document; and even so; I haven't
written it with a view to put forward any conclusion of my own。〃
But my objector was not placated。 These were good reasons for
not writing at allnot a defense of what stood written already;
he said。
I admit that almost anything; anything in the world; would serve
as a good reason for not writing at all。 But since I have
written them; all I want to say in their defense is that these
memories put down without any regard for established conventions
have not been thrown off without system and purpose。 They have
their hope and their aim。 The hope that from the reading of
these pages there may emerge at last the vision of a personality;
the man behind the books so fundamentally dissimilar as; for
instance; 〃Almayer's Folly〃 and 〃The Secret Agent;〃 and yet a
coherent; justifiable personality both in its origin and in its
action。 This is the hope。 The immediate aim; closely associated
with the hope; is to give the record of personal memories by
presenting faithfully the feelings and sensations connected with
the writing of my first book and with my first contact with the
sea。
In the purposely mingled resonance of this double strain a friend
here and there will perhaps detect a subtle accord。
J。 C。 K。
A PERSONAL RECORD
I
Books may be written in all sorts of places。 Verbal inspiration
may enter the berth of a mariner on board a ship frozen fast in a
river in the middle of a town; and since saints are supposed to
look benignantly on humble believers; I indulge in the pleasant
fancy that the shade of old Flaubertwho imagined himself to be
(among other things) a descendant of Vikingsmight have hovered
with amused interest over the docks of a 2;000…ton steamer called
the Adowa; on board of which; gripped by the inclement winter
alongside a quay in Rouen; the tenth chapter of 〃Almayer's Folly〃
was begun。 With interest; I say; for was not the kind Norman
giant with enormous mustaches and a thundering voice the last of
the Romantics? Was he not; in his unworldly; almost ascetic;
devotion to his art; a sort of literary; saint…like hermit?
〃'It has set at last;' said Nina to her mother; pointing to the
hills behind which the sun had sunk。〃 。 。 。 These words of
Almayer's romantic daughter I remember tracing on the gray paper
of a pad which rested on the blanket of my bed…place。 They
referred to a sunset in Malayan Isles and shaped themselves in my
mind; in a hallucinated vision of forests and rivers and seas;
far removed from a commercial and yet romantic town of the
northern hemisphere。 But at that moment the mood of visions and
words was cut short by the third officer; a cheerful and casual
youth; coming in with a bang of the door and the exclamation:
〃You've made it jolly warm in here。〃
It was warm。 I had turned on the steam heater after placing a
tin under the leaky water…cockfor perhaps you do not know that
water will leak where steam will not。 I am not aware of what my
young friend had been doing on deck all that morning; but the
hands he rubbed together vigorously were very red and imparted to
me a chilly feeling by their mere aspect。 He has remained the
only banjoist of my acquaintance; and being also a younger son of
a retired colonel; the poem of Mr。 Kipling; by a strange
aberration of associated ideas; always seems to me to have been
written with an exclusive view to his person。 When he did not
play the banjo he loved to sit and look at it。 He proceeded to
this sentimental inspection; and after meditating a while over
the strings under my silent scrutiny inquired; airily:
〃What are you always scribbling there; if it's fair to ask?〃
It was a fair enough question; but I did not answer him; and
simply turned the pad over with a movement of instinctive
secrecy: I could not have told him he had put to flight the
psychology of Nina Almayer; her opening speech of the tenth
chapter; and the words of Mrs。 Almayer's wisdom which were to
follow in the ominous oncoming of a tropical night。 I could not
have told him that Nina had said; 〃It has set at last。〃 He would
have been extremely surprised and perhaps have dropped his
precious banjo。 Neither could I have told him that the sun of my
sea…going was setting; too; even as I wrote the words expressing