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quality upon which secure government rests so largely in 

Western Europe; the quality of being soothed by long words 

as if by an incantation。 They do not call hunger 〃economic

pressure〃; they call it hunger。 They do not call rich men 

〃examples of capitalistic concentration;〃 they call them 

rich men。  And this note of plainness and of something nobly 

prosaic is as characteristic of Gorky; in some ways the most 

modern; and sophisticated of Russian authors; as it is of 

Tolstoy or any of the Tolstoyan type of mind。  The very 

title of this story strike the note of this sudden and simple

vision。  The philanthropist writing long letters to the Daily 

Telegraph says; of men living in a slum; that 〃their 

degeneration is of such a kind as almost to pass the limits 

of the semblance of humanity;〃 and we read the whole thing 

with a tepid assent as we should read phrases about the 

virtues of Queen Victoria or the dignity of the House of 

Commons。 





x  INTRODUCTION





The Russian novelist; when he describes a dosshouse; says; 

〃Creatures that once were Men。〃  And we are arrested; and 

regard the facts as a kind of terrible fairy tale。  This story 

is a test case of the Russian manner; for it is in itself a 

study of decay; a study of failure; and a study of old age。

And yet the author is forced to write even of staleness

freshly; and though he is treating of the world as seen

by eyes darkened or blood…shot with evil experience; his

own eyes look out upon the scene with a clarity that is almost 

babyish。  Through all runs that curious Russian sense that 

every man is only a man; which; if the Russians ever are a 

democracy; will make them the most democratic democracy that 

the world has ever seen。  Take this passage; for instance; 

from the austere conclusion of 〃Creatures that once were Men〃:



Petunikoff smiled the smile of the conqueror and went back 

into the dosshouse; but suddenly he stopped and trembled。  

At the door facing him stood an old man with a stick in his 

hand and a large bag on his back; a horrible old man in rags 

and tatters; which covered his bony figure。  He bent under 

the weight of his burden; and lowered his head on his breast; 

as if he wished to attack the merchant。



〃What are you? Who are you?〃 shouted Petunikoff。



〃A man 。 。 。〃 he answered; In a hoarse voice。 This hoarseness 

pleased and tranquillized Petunikoff; he even smiled。





〃A man! And are there really men like you?〃 Stepping aside; 

he let the old man pass。 He went; saying slowly:



〃Men are of various kinds 。 。 。 as God wills 。 。 。 There are 

worse than me 。 。 。 still worse。 。 。  

Yes。 。 。 。〃





xi  INTRODUCTION





Here; in the very act of describing a kind of a fall from 

humanity; Gorky expresses a sense of the strangeness and 

essential value of the human being which is far too commonly

absent altogether from such complex civilizations as our own。 

To no Westerner; I am afraid; would it occur; when asked 

what he was; to say; 〃A man。〃  He would be a plasterer who 

had walked from Reading; or an iron…puddler who had been 

thrown out of work in Lancashire; or a University man who 

would be really most grateful for the loan of five shillings; 

or the son of a lieutenant…general living in Brighton; who 

would not have made such an application if he had not known

that he was talking to another gentleman。  With us it is not 

a question of men being of various kinds; with us the kinds 

are almost different animals。  But in spite of all Gorky's 

superficial scepticism and brutality; it is to him the fall 

from humanity; or the apparent fall from humanity; which is 

not merely great and lamentable; but essential and even 

mystical。  The line between man and the beasts is one of the 

transcendental essentials of every religion; and it is; like 

most of the transcendental things of religion; identical 

with the main sentiments of the man of common sense。  We feel 

this gulf when theologies say that it cannot be crossed。 But 

we feel it quite as much (and that with a primal shudder) 

when philosophers or fanciful writers suggest that it might

be crossed。  And if any man wishes to discover whether or no 

he has really learned to regard the line between man and 

brute as merely relative and evolutionary; let him say again 

to himself those frightful words; 〃Creatures that once were Men。〃





G。 K。 CHESTERTON。











CREATURES THAT ONCE WERE MEN











PART I





In front of you is the main street; with two rows of

miserable…looking huts with shuttered windows and old walls 

pressing on each other and leaning forward。  The roofs of 

these time…worn habitations are full of holes; and have been 

patched here and there with laths; from underneath them 

project mildewed beams; which are shaded by the dusty…leaved 

elder…trees and crooked white willowpitiable flora of 

those suburbs inhabited by the poor。



The dull green time…stained panes of the windows look upon 

each other with the cowardly glances of cheats。  Through the 

street and toward the adjacent mountain runs the sinuous 

path; winding through the deep ditches filled with 

rain…water。  Here and there are piled heaps of dust and other 

rubbisheither refuse or else put there purposely to keep 

the rain…water from flooding the houses。  On the top of the 

mountain; among green gardens with dense foliage; beautiful 

stone houses lie hidden; the belfries of the churches rise 

proudly toward the sky; and their gilded crosses shine beneath

the rays of the sun。  During the rainy weather the

neighboring town pours its water into this main road; which; 

at other times; is full of its dust; and all these miserable 

houses seem; as it were; thrown by some powerful hand into 

that heap of dust; rubbish; and rainwater。  





14  CREATURES THAT ONCE WERE MEN





They cling to the ground beneath the high mountain; exposed 

to the sun; surrounded by decaying refuse; and their sodden 

appearance impresses one with the same feeling as would the 

half…rotten trunk of an old tree。



At the end of the main street; as if thrown out of the town; 

stood a two…storied house; which had been rented from 

Petunikoff; a merchant and resident of the town。  It was in 

comparatively good order; being farther from the mountain; 

while near it were the open fields; and about half…a…mile 

away the river ran its winding course。



This large old house had the most dismal aspect amid its 

surroundings。  The walls bent outward; and there was hardly 

a pane of glass in any of the windows; except some of the 

fragments; which looked like the water of the marshesdull 

green。  The spaces of wall between the windows were covered 

with spots; as if time were trying to write there in 

hieroglyphics the history of the old house; and the tottering 

roof added still more to its pitiable condition。  It seemed as 

if the whole building bent toward the ground; to await the 

last stroke of that fate which should transform it into a 

chaos of rotting remains; and finally into dust。



The gates were open; one…half of them displaced and lying on 

the ground at the entrance; while between its bars had grown 

the grass; which also covered the large and empty court…yard。 

In the depths of this yard stood a low; iron…roofed; 

smoke…begrimed building。  The house itself was of course 

unoccupied; but this shed; formerly a blacksmith's forge; 

was now turned into a 〃dosshouse;〃 kept by a retired captain 

named Aristid Fomich Kuvalda。





15  CREATURES THAT ONCE WERE MEN





In the interior of the dosshouse was a long; wide and grimy 

board; measuring some 28 by 70 feet。  The room was lighted 

on one side by four small square windows; and on the other 

by a wide door。  The unpainted brick walls were black with 

smoke; and the ceiling; which was built of timber; was almos

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