letters to his son, 1748-第26章
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lay has had the same fate with the squib； and has gone off no more。 I remember a squib much better applied； when it was made the device of the colors of a French regiment of grenadiers； it was represented bursting； with this motto under it： 'Peream dum luceam'。
I like the description of your PIC…NIC； where I take it for granted； that your cards are only to break the formality of a circle； and your SYMPOSION intended more to promote conversation than drinking。 Such an AMICABLE COLLISION； as Lord Shaftesbury very prettily calls it； rubs off and smooths those rough corners which mere nature has given to the smoothest of us。 I hope some part； at least； of the conversation is in German。 'A propos'： tell me do you speak that language correctly； and do you write it with ease？ I have no doubt of your mastering the other modern languages； which are much easier； and occur much oftener； for which reason； I desire that you will apply most diligently to German； while you are in Germany； that you may speak and write that language most correctly。
I expect to meet Mr。 Eliot in London； in about three weeks； after which you will soon see him at Leipsig。 Adieu。
LETTER LVI
LONDON； November 18； O。 S。 1748。
DEAR BOY： Whatever I see or whatever I hear； my first consideration is； whether it can in any way be useful to you。 As a proof of this； I went accidentally the other day into a print…shop； where； among many others； I found one print from a famous design of Carlo Maratti； who died about thirty years ago； and was the last eminent painter in Europe： the subject is 'il Studio del Disegno'； or 〃The School of Drawing。〃 An old man； supposed to be the master； points to his scholars； who are variously employed in perspective； geometry； and the observation of the statues of antiquity。 With regard to perspective； of which there are some little specimens； he has wrote； 'Tanto che basti'； that is； 〃As much as is sufficient〃； with regard to geometry； 'Tanto che basti' again； with regard to the contemplation of the ancient statues； there is written； 'Non mai a bastanza'；〃There never can be enough。〃 But in the clouds； at the top of the piece； are represented the three Graces； with this just sentence written over them； 'Senza di noi ogni fatica e vana'； that is； 〃Without us； all labor is vain。〃 This everybody allows to be true in painting； but all people do not seem to consider； as I hope you will； that this truth is full as applicable to every other art or science； indeed to everything that is to be said or done。 I will send you the print itself by Mr。 Eliot； when he returns； and I will advise you to make the same use of it that the Roman Catholics say they do of the pictures and images of their saints； which is； only to remind them of those； for the adoration they disclaim。 Nay； I will go further； as the transition from Popery to Paganism is short and easy； I will classically end poetically advise you to invoke； and sacrifice to them every day； and all the day。 It must be owned； that the Graces do not seem to be natives of Great Britain； and； I doubt； the best of us here have more of rough than polished diamond。
Since barbarism drove them out of Greece and Rome； they seem to have taken refuge in France； where their temples are numerous； and their worship the established one。 Examine yourself seriously； why such and such people please and engage you； more than such and such others； of equal merit； and you will always find that it is because the former have the Graces and the latter not。 I have known many a woman with an exact shape； and a symmetrical assemblage of beautiful features； please nobody； while others； with very moderate shapes and features； have charmed everybody。 Why？ because Venus will not charm so much； without her attendant Graces； as they will without her。 Among men； how often have I seen the most solid merit and knowledge neglected； unwelcome； or even rejected； for want of them！ While flimsy parts； little knowledge； and less merit； introduced by the Graces； have been received； cherished； and admired。 Even virtue； which is moral beauty； wants some of its charms if unaccompanied by them。
If you ask me how you shall acquire what neither you nor I can define or ascertain； I can only answer； BY OBSERVATION。 Form yourself； with regard to others； upon what you feel pleases you in them。 I can tell you the importance； the advantage； of having the Graces； but I cannot give them you： I heartily wish I could； and I certainly would； for I do not know a better present that I could make you。 To show you that a very wise； philosophical； and retired man thinks upon that subject as I do； who have always lived in the world； I send you； by Mr。 Eliot； the famous Mr。 Locke's book upon education； in which you will end the stress that he lays upon the Graces； which he calls （and very truly） good…breeding。 I have marked all the parts of that book that are worth your attention； for as he begins with the child； almost from its birth； the parts relative to its infancy would be useless to you。 Germany is； still less than England； the seat of the Graces； however； you had as good not say so while you are there。 But the place which you are going to； in a great degree； is； for I have known as many well…bred； pretty men come from Turin； as from any part of Europe。 The late King Victor Amedee took great pains to form such of his subjects as were of any consideration； both to business and manners； the present king； I am told； follows his example： this； however； is certain； that in all courts and congresses； where there are various foreign ministers； those of the King of Sardinia are generally the ablest； the politest； and 'les plus delies'。 You will therefore； at Turin； have very good models to form yourself upon： and remember； that with regard to the best models； as well as to the antique Greek statues in the print； 'non mai a bastanza'。 Observe every word； look； and motion of those who are allowed to be the most accomplished persons there。 Observe their natural and careless； but genteel air； their unembarrassed good…breeding； their unassuming； but yet unprostituted dignity。 Mind their decent mirth； their discreet frankness； and that 'entregent' which； as much above the frivolous as below the important and the secret； is the proper medium for conversation in mixed companies。 I will observe； by the bye； that the talent of that light 'entregent' is often of great use to a foreign minister； not only as it helps him to domesticate himself in many families； but also as it enables him to put by and parry some subjects of conversation； which might possibly lay him under difficulties both what to say and how to look。
Of all the men that ever I knew in my life （and I knew him extremely well）； the late Duke of Marlborough possessed the graces in the highest degree； not to say engrossed them； and indeed he got the most by them； for I will venture （contrary to the custom of profound historians； who always assign deep causes for great events）； to ascribe the better half of the Duke of Marlborough's greatness and riches to those graces。 He was eminently illiterate； wrote bad English and spelled it still worse。 He had no share of what is commonly called PARTS： that is； he had no brightness； nothing shining in his genius。 He had most undoubtedly； an excellent good plain understanding with sound judgment。 But these alone； would probably have raised him but something higher than they found him； which was page to King James the Second's queen。 There the Graces protected and promoted him； for while he was an ensign of the Guards； the Duchess of Cleveland； then favorite mistress to King Charles the Second； struck by those very Graces； gave him five thousand pounds； with which he immediately bought an annuity for his life of five hundred pounds a year； of my grandfather Halifax； which was the foundation of his subsequent fortune。 His figure was beautiful； but his manner was irresistible； by either man or woman。 It was by this engaging； graceful manner； that he was enabled； during all his war； to connect the various and jarring powers of the Grand Alliance； and to carry them on to the main object of the war； notwithstanding their private and
