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The Story of an African Farm



by Olive Schreiner (Ralph Iron)









Preface。



I have to thank cordially the public and my critics for the reception they

have given this little book。



Dealing with a subject that is far removed from the round of English daily

life; it of necessity lacks the charm that hangs about the ideal

representation of familiar things; and its reception has therefore been the

more kindly。



A word of explanation is necessary。  Two strangers appear on the scene; and

some have fancied that in the second they have again the first; who returns

in a new guise。  Why this should be we cannot tell; unless there is a

feeling that a man should not appear upon the scene; and then disappear;

leaving behind him no more substantial trace than a mere book; that he

should return later on as husband or lover; to fill some more important

part than that of the mere stimulator of thought。



Human life may be painted according to two methods。  There is the stage

method。  According to that each character is duly marshalled at first; and

ticketed; we know with an immutable certainty that at the right crises each

one will reappear and act his part; and; when the curtain falls; all will

stand before it bowing。  There is a sense of satisfaction in this; and of

completeness。  But there is another methodthe method of the life we all

lead。  Here nothing can be prophesied。  There is a strange coming and going

of feet。  Men appear; act and re…act upon each other; and pass away。  When

the crisis comes the man who would fit it does not return。  When the

curtain falls no one is ready。  When the footlights are brightest they are

blown out; and what the name of the play is no one knows。  If there sits a

spectator who knows; he sits so high that the players in the gaslight

cannot hear his breathing。  Life may be painted according to either method;

but the methods are different。  The canons of criticism that bear upon the

one cut cruelly upon the other。



It has been suggested by a kind critic that he would better have liked the

little book if it had been a history of wild adventure; of cattle driven

into inaccessible kranzes by Bushmen; 〃of encounters with ravening lions;

and hair…breadth escapes。〃  This could not be。  Such works are best written

in Piccadilly or in the Strand:  there the gifts of the creative

imagination; untrammelled by contact with any fact; may spread their wings。



But; should one sit down to paint the scenes among which he has grown; he

will find that the facts creep in upon him。  Those brilliant phases and

shapes which the imagination sees in far…off lands are not for him to

portray。  Sadly he must squeeze the colour from his brush; and dip it into

the gray pigments around him。  He must paint what lies before him。



R。 Iron。



。。。



〃We must see the first images which the external world casts upon the dark

mirror of his mind; or must hear the first words which awaken the sleeping

powers of thought; and stand by his earliest efforts; if we would

understand the prejudices; the habits; and the passions that will rule his

life。  The entire man is; so to speak; to be found in the cradle of the

child。〃



Alexis de Tocqueville。



。。。









Glossary。



Several Dutch and Colonial words occurring in this work; the subjoined

Glossary is given; explaining the principal。



Alle wereld! … Gosh!

Aasvogels … Vultures。

Benauwdheid … Indigestion。

Brakje … A little cur of low degree。

Bultong … Dried meat。

Coop … Hide and Seek。

Inspan … To harness。

Kapje … A sun…bonnet。

Karoo … The wide sandy plains in some parts of South Africa。

Karoo…bushes … The bushes that take the place of grass on these plains。

Kartel … The wooden…bed fastened in an ox…wagon。

Kloof … A ravine。

Kopje … A small hillock; or 〃little head。〃

Kraal … The space surrounded by a stone wall or hedged with thorn branches;

into which sheep or cattle are driven at night。

Mealies … Indian corn。

Meerkat … A small weazel…like animal。

Meiboss … Preserved and dried apricots。

Nachtmaal … The Lord's Supper。

Oom … Uncle。

Outspan … To unharness; or a place in the field where one unharnesses。

Pap … Porridge。

Predikant … Parson。

Riem … Leather rope。

Sarsarties … Food。

Sleg … Bad。

Sloot … A dry watercourse。

Spook … To haunt; a ghost。

Stamp…block … A wooden block; hollowed out; in which mealies are placed to

be pounded before being cooked。

Stoep … Porch。

Tant or Tante … Aunt。

Upsitting … In Boer courtship the man and girl are supposed to sit up

together the whole night。

Veld … Open country。

Velschoen … Shoes of undressed leather。

Vrijer … Available man。









Contents。



Part I。



Chapter 1。I。  Shadows From Child Life。



Chapter 1。II。  Plans and Bushman Paintings。



Chapter 1。III。  I Was A Stranger; and Ye Took Me In。



Chapter 1。IV。  Blessed is He That Believeth。



Chapter 1。V。  Sunday Services。



Chapter 1。VI。  Bonaparte Blenkins Makes His Nest。



Chapter 1。VII。  He Sets His Trap。



Chapter 1。VIII。  He Catches the Old Bird。



Chapter 1。IX。  He Sees A Ghost。



Chapter 1。X。  He Shows His Teeth。



Chapter 1。XI。  He Snaps。



Chapter 1。XII。  He Bites。



Chapter 1。XIII。  He Makes Love。





Part II。



Chapter 2。I。  Times and Seasons。



Chapter 2。II。  Waldo's Stranger。



Chapter 2。III。  Gregory Rose Finds His Affinity。



Chapter 2。IV。  Lyndall。



Chapter 2。V。  Tant Sannie Holds An Upsitting; and Gregory Writes A Letter。



Chapter 2。VI。  A Boer…wedding。



Chapter 2。VII。  Waldo Goes Out to Taste Life; and Em Stays At Home and

Tastes It。



Chapter 2。VIII。  The Kopje。



Chapter 2。IX。  Lyndall's Stranger。



Chapter 2。X。  Gregory Rose Has An Idea。



Chapter 2。XI。  An Unfinished Letter。



Chapter 2。XII。  Gregory's Womanhood。



Chapter 2。XIII。  Dreams。



Chapter 2。XIV。  Waldo Goes Out to Sit in the Sunshine。





THE STORY OF AN AFRICAN FARM



Part I。





Chapter 1。I。  Shadows From Child…Life。



。。。





The Watch。



The full African moon poured down its light from the blue sky into the

wide; lonely plain。  The dry; sandy earth; with its coating of stunted

karoo bushes a few inches high; the low hills that skirted the plain; the

milk…bushes with their long finger…like leaves; all were touched by a weird

and an almost oppressive beauty as they lay in the white light。



In one spot only was the solemn monotony of the plain broken。  Near the

centre a small solitary kopje rose。  Alone it lay there; a heap of round

ironstones piled one upon another; as over some giant's grave。  Here and

there a few tufts of grass or small succulent plants had sprung up among

its stones; and on the very summit a clump of prickly…pears lifted their

thorny arms; and reflected; as from mirrors; the moonlight on their broad

fleshy leaves。  At the foot of the kopje lay the homestead。  First; the

stone…walled sheep kraals and Kaffer huts; beyond them the dwelling…house

a square; red…brick building with thatched roof。  Even on its bare red

walls; and the wooden ladder that led up to the loft; the moonlight cast a

kind of dreamy beauty; and quite etherealized the low brick wall that ran

before the house; and which inclosed a bare patch of sand and two

straggling sunflowers。  On the zinc roof of the great open wagon…house; on

the roofs of the outbuildings that jutted from its side; the moonlight

glinted with a quite peculiar brightness; till it seemed that every rib in

the metal was of burnished silver。



Sleep ruled everywhere; and the homestead was not less quiet than the

solitary plain。



In the farmhouse; on her great wooden bedstead; Tant Sannie; the Boer…

woman; rolled heavily in her sleep。



She had gone to bed; as she always did; in her clothes; and the night was

warm and the room close; and she dreamed bad dreams。  Not of the ghosts and

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