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and there is no similar instance of a 'motive' which is taken from Xenophon

in an undoubted dialogue of Plato。  On the other hand; the upholders of the

genuineness of the dialogue will find in the Hippias a true Socratic

spirit; they will compare the Ion as being akin both in subject and

treatment; they will urge the authority of Aristotle; and they will detect

in the treatment of the Sophist; in the satirical reasoning upon Homer; in

the reductio ad absurdum of the doctrine that vice is ignorance; traces of

a Platonic authorship。  In reference to the last point we are doubtful; as

in some of the other dialogues; whether the author is asserting or

overthrowing the paradox of Socrates; or merely following the argument

'whither the wind blows。'  That no conclusion is arrived at is also in

accordance with the character of the earlier dialogues。  The resemblances

or imitations of the Gorgias; Protagoras; and Euthydemus; which have been

observed in the Hippias; cannot with certainty be adduced on either side of

the argument。  On the whole; more may be said in favour of the genuineness

of the Hippias than against it。



The Menexenus or Funeral Oration is cited by Aristotle; and is interesting

as supplying an example of the manner in which the orators praised 'the

Athenians among the Athenians;' falsifying persons and dates; and casting a

veil over the gloomier events of Athenian history。  It exhibits an

acquaintance with the funeral oration of Thucydides; and was; perhaps;

intended to rival that great work。  If genuine; the proper place of the

Menexenus would be at the end of the Phaedrus。  The satirical opening and

the concluding words bear a great resemblance to the earlier dialogues; the

oration itself is professedly a mimetic work; like the speeches in the

Phaedrus; and cannot therefore be tested by a comparison of the other

writings of Plato。  The funeral oration of Pericles is expressly mentioned

in the Phaedrus; and this may have suggested the subject; in the same

manner that the Cleitophon appears to be suggested by the slight mention of

Cleitophon and his attachment to Thrasymachus in the Republic; and the

Theages by the mention of Theages in the Apology and Republic; or as the

Second Alcibiades seems to be founded upon the text of Xenophon; Mem。  A

similar taste for parody appears not only in the Phaedrus; but in the

Protagoras; in the Symposium; and to a certain extent in the Parmenides。



To these two doubtful writings of Plato I have added the First Alcibiades;

which; of all the disputed dialogues of Plato; has the greatest merit; and

is somewhat longer than any of them; though not verified by the testimony

of Aristotle; and in many respects at variance with the Symposium in the

description of the relations of Socrates and Alcibiades。  Like the Lesser

Hippias and the Menexenus; it is to be compared to the earlier writings of

Plato。  The motive of the piece may; perhaps; be found in that passage of

the Symposium in which Alcibiades describes himself as self…convicted by

the words of Socrates。  For the disparaging manner in which Schleiermacher

has spoken of this dialogue there seems to be no sufficient foundation。  At

the same time; the lesson imparted is simple; and the irony more

transparent than in the undoubted dialogues of Plato。  We know; too; that

Alcibiades was a favourite thesis; and that at least five or six dialogues

bearing this name passed current in antiquity; and are attributed to

contemporaries of Socrates and Plato。  (1) In the entire absence of real

external evidence (for the catalogues of the Alexandrian librarians cannot

be regarded as trustworthy); and (2) in the absence of the highest marks

either of poetical or philosophical excellence; and (3) considering that we

have express testimony to the existence of contemporary writings bearing

the name of Alcibiades; we are compelled to suspend our judgment on the

genuineness of the extant dialogue。



Neither at this point; nor at any other; do we propose to draw an absolute

line of demarcation between genuine and spurious writings of Plato。  They

fade off imperceptibly from one class to another。  There may have been

degrees of genuineness in the dialogues themselves; as there are certainly

degrees of evidence by which they are supported。  The traditions of the

oral discourses both of Socrates and Plato may have formed the basis of

semi…Platonic writings; some of them may be of the same mixed character

which is apparent in Aristotle and Hippocrates; although the form of them

is different。  But the writings of Plato; unlike the writings of Aristotle;

seem never to have been confused with the writings of his disciples:  this

was probably due to their definite form; and to their inimitable

excellence。  The three dialogues which we have offered in the Appendix to

the criticism of the reader may be partly spurious and partly genuine; they

may be altogether spurious;that is an alternative which must be frankly

admitted。  Nor can we maintain of some other dialogues; such as the

Parmenides; and the Sophist; and Politicus; that no considerable objection

can be urged against them; though greatly overbalanced by the weight

(chiefly) of internal evidence in their favour。  Nor; on the other hand;

can we exclude a bare possibility that some dialogues which are usually

rejected; such as the Greater Hippias and the Cleitophon; may be genuine。 

The nature and object of these semi…Platonic writings require more careful

study and more comparison of them with one another; and with forged

writings in general; than they have yet received; before we can finally

decide on their character。  We do not consider them all as genuine until

they can be proved to be spurious; as is often maintained and still more

often implied in this and similar discussions; but should say of some of

them; that their genuineness is neither proven nor disproven until further

evidence about them can be adduced。  And we are as confident that the

Epistles are spurious; as that the Republic; the Timaeus; and the Laws are

genuine。



On the whole; not a twentieth part of the writings which pass under the

name of Plato; if we exclude the works rejected by the ancients themselves

and two or three other plausible inventions; can be fairly doubted by those

who are willing to allow that a considerable change and growth may have

taken place in his philosophy (see above)。  That twentieth debatable

portion scarcely in any degree affects our judgment of Plato; either as a

thinker or a writer; and though suggesting some interesting questions to

the scholar and critic; is of little importance to the general reader。





LESSER HIPPIAS



by



Plato (see Appendix I above)



Translated by Benjamin Jowett



INTRODUCTION。



The Lesser Hippias may be compared with the earlier dialogues of Plato; in

which the contrast of Socrates and the Sophists is most strongly exhibited。

Hippias; like Protagoras and Gorgias; though civil; is vain and boastful: 

he knows all things; he can make anything; including his own clothes; he is

a manufacturer of poems and declamations; and also of seal…rings; shoes;

strigils; his girdle; which he has woven himself; is of a finer than

Persian quality。  He is a vainer; lighter nature than the two great

Sophists (compare Protag。); but of the same character with them; and

equally impatient of the short cut…and…thrust method of Socrates; whom he

endeavours to draw into a long oration。  At last; he gets tired of being

defeated at every point by Socrates; and is with difficulty induced to

proceed (compare Thrasymachus; Protagoras; Callicles; and others; to whom

the same reluctance is ascribed)。



Hippias like Protagoras has common sense on his side; when he argues;

citing passages of the Iliad in support of his view; that Homer intended

Achilles to be the bravest; Odysseus the wisest of the Greeks。  But he is

easily overthrown by the superior dialectics o

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