anner.bloodandgold(v2)-第71章
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This was a foundling who could be educated for the Blood！ This was a child utterly lost to life who could be reclaimed specifically for the Blood。
Would his training be a night； a week； a month； a year？ Only I need decide it。
Whatever it was； I would make of him a child of the Blood。
My mind went back swiftly to Eudoxia and how she had spoken of the perfect age for the Blood to be received。 I remembered Zenobia and her quick wits and knowing eyes。 I remembered my own long ago reflection on the promise of a virgin； that one could make of a virgin what one wished without price。
And this child； this rescued slave； had been a painter！ He knew the magic of the egg and the pigments； yes； he knew the magic of the color spread upon the wooden panel。 He would remember； he would remember a time when he cared about nothing else。
True it had been in far…away Russia； where those who worked in monasteries limited themselves to the style of the Byzantines which I had long ago rejected as I turned my back on the Greek Empire and came to make my home amid the strife of the West。
But behold what had happened： the West had had its wars； yes； and indeed； the barbarians had conquered all it did seem。 Yet Rome had risen again through the great thinkers and painters of the 1400s！ I beheld it in the work of Botticelli； and Bellini and Filippo Lippi and in a hundred others。
Homer； Lucretius； Virgil； Ovid； Plutarch…they were all being studied once again。 The scholars of 〃humanism〃 sang songs of 〃antiquity。〃
In sum； the West had risen again with new and fabulous cities； whereas Constantinople； old golden Constantinople； had been lost to the Turks who had made it Istanbul。
But far beyond Istanbul； there lay Russia from which this boy had been taken prisoner； Russia which had taken its Christianity from Constantinople so that this boy knew only the ikons of strict somber style and rigid beauty； an art which was as remote from what I painted as night from day。
Yet in the city of Venice both styles existed： the Byzantine style and the new style of the times。
How had it e about？ Through trading。 Venice had been a seaport since its beginnings。 Its great fleet had gone back and forth between East and West when Rome was a ruin。 And many a church in Venice preserved the old Byzantine style which filled this boy's tortured mind。
These Byzantine churches had never much mattered to me before； I had to admit。 Not even the Doge's chapel； San Marco； had much mattered to me。 But they mattered now； because they helped me to understand again and all the better the art which this boy had loved。
I stared at him as he slept。
All right。 I understood something of his nature； I understood his suffering。 But who was he really？ I posed the same question which Bianca and I had exchanged with each other。 The answer I did not have。
Before I could think of moving forward with my plan to prepare him for the Blood I must know。
Would it take a night； or a hundred nights？ Whatever the time； it would not be endless。
Amadeo was destined for me。
I turned and wrote in my diary。 Never had such a design occurred to me before； to educate a novice for the Blood！ I described all the events of the night so that I might never lose them to overwrought memory。 I drew sketches of Amadeo's face as he slept。
How can I describe him？ His beauty did not depend on his facial expression。 It was stamped already on the face。 It was all wrought up with his fine bones； serene mouth； and his auburn curls。
I wrote passionately in my diary。
This child has e from a world so different from our own that he can make no sense of what has happened to him。 But I know the snowy lands of Russia。 I know the dark dreary life of Russian and Greek monasteries； and it was in one of these； I am quite convinced； that he painted the ikons which he cannot speak of now。
As for our tongue； he's had no experience with it except in cruelty。 Perhaps when the boys make him one of them； he will remember his past。 Pie will want to take up the paintbrush。 His talent will e forth again。
I put the quill aside。 I could not confide everything to my diary。 No； not everything by any means。 Great secrets I sometimes wrote in Greek rather than Latin； but even in Greek I could not say all that I thought。
I looked at the boy。 I took up the candelabrum and I approached the bed and I looked down at him as he slept there； easy at last； breathing as though he were safe。
Slowly his eyes opened。 He looked up at me。 There was no fear in him。 Indeed； it seemed that he still dreamed。
I gave myself over to the Mind Gift。
Tell…me； child； tell me from your heart。
I saw the riders of the Steppes e down upon him and a band of his people。 I saw a bundle drop from the boy's anxious hands。 The cloth wrapping fell away from it。 It was an ikon； and the boy cried out fearfully； but the evil barbarians wanted only the boy。 They were the same inevitable barbarians who had never ceased to raid along the Roman Empire's long…forgotten Northern and Eastern frontiers。 Would the world never see an end to their kind？
By those evil men； this child had been brought to some Eastern marketplace。 Was it Istanbul？ And from there to Venice where he fell into the hands of a brothel keeper who had bought him for high payment on account of face and form。
The cruelty of this； the mystery of it； had been overwhelming。 In the hands of another； this boy might never be healed。
Yet in his mute expression now I saw pure trust。
〃Master；〃 he said softly in the Russian tongue。
I felt the tiny hairs rise all over my body。 I wanted so to touch him once more with my cold fingers but I did not dare。 I knelt beside the bed and leant over and I kissed his cheek warmly。
〃Amadeo；〃 I said to him so that he might know his new name。
And then using the very Russian tongue he knew； but did not know； I told him that he was mine now； that I was his Master just as he had said。 I gave him to know that all things were resolved in me。 He must never worry； he would never fear again。
It was almost morning。 I had to leave。
Vincenzo came knocking。 The eldest among the apprentices were waiting outside。 They had heard that a new boy had been brought into the house。
I admitted them to the bedroom。 I told them they must take care of Amadeo。 They must acquaint him with all our mon wonders。 They must let him rest for a while； surely； but they could take him out into the city。 Perhaps it was the perfect thing to do。
〃Riccardo；〃 I charged the eldest。 〃Take this one under your wing。〃
What a lie it was！ I stood thinking of it。 It was a lie to give him over to the daylight； to panionship other than my own。
But the rising sun gave me no more time in the palazzo。 What else could I do？
I went to my grave。
I lay down in darkness dreaming of him。
I had found an escape from the love of Botticelli。 I had found an escape from the obsession with Bianca and her tantalizing guilt。 I had found one whom death and cruelty had already marked。 The Blood would be the ransom。 Yes； all things were resolved in me。
Oh； but who was he？ What was he？ I knew the memories； the images； the horrors； the prayers； but not the voice！ And something tormented me savagely； even in my avowed certainty。 Did I not love this child too much to do what I planned to do？
The following night a splendid surprise awaited me。
There was my Amadeo at supper gorgeously turned out in blue velvet； as splendidly clothed as the other boys！
They had hastened to plete the tailoring of his clothes to make me happy and indeed I was； almost to the point of being stunned。
As he knelt to kiss my ring； I was speechless； and with both my hands I bid him rise； and I embraced him； kissing him quickly on both cheeks。
He was still weak from his ordeals； I could see it； but the other boys as well as Vincenzo had gone a long way to put some color into his face。
As we sat down to supper； Riccardo explained that Amadeo could paint nothing。 Indeed； Amadeo was afraid of the brushes and the pots of paint。 And that he knew no language but he was picki
