pzb.drawingblood-第32章
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but the folding table was one of the few things Bobby hadn't sold or thrown out when they left Austin。 It had his stains and gouges; his razor slits and scars; his sweat grimed into its grain; maybe his tears too。 Maybe his secrets。 And maybe his nightmares。
Trevor sat on the sawed…off bar stool that Bobby had used as his drawing chair。 It wobbled as it always had; but held。 The light in here was good; even with the vines and tall grass covering the window; but some drawings tacked up on the wall were in shadow。 He didn't want to see them now anyway; he had enough of Bobby here to suit him for a while。
Trevor got his own pencils and sketchbook out of his bag; arranged them on the table; and flipped to the story he had been working on at the graveyard。 The story of how Bird and Walter Brown went to jail in Jackson; Mississippi; for talking on a screened porch one fine summer night。
Left arm curled around his sketchbook; head bent down far over the page; hair hanging like a pale curtain around his thin; determined face; Trevor drew for three hours。 When he looked up; the room was veiled in blue shadows and he realized he had barely been able to see the page for ten minutes or more。 He saw Bobby's old gooseneck lamp still clamped to the edge of the table; and without thinking he reached out and pushed the button that turned it on。
Stark electric light flooded the room; threw the spidery shadow of his fingers clutching the pencil onto the pitted tabletop。
Trevor's drawing trance broke。 He shoved himself back from the table; nearly tipped the stool over。 Only his fear made him keep his balance。 He did not want to be on his back on the floor of this room just now。 His gaze swept the corners; the ceiling; the darkening windows; came to rest on the brown cord snaking from the base of the lamp to the wall socket below。 The thing was plugged in。 But how could the wiring; the bulb; last twenty years? And as long as he was asking stupid questions; how could the fucking electricity be on?
He wondered if it might never have been turned off; if their delinquent bill might have been passed over by an idling puter or some such。 He distrusted all engines and mechanical systems but especially puters; whose insides he pictured as like some silver; sinister; impossibly intricate painting by Giger。
But Trevor didn't think the power could have stayed on for two decades without someone at the switches noticing or the house catching fire。 When you subtract the impossible; what's left? The improbable; the strange but true。 The supernatural; or if you liked; the supernatural: outside the boundaries of most experience; but possible in a place where no boundaries are drawn。
Trevor settled back on the stool and glanced up at the wall; at the drawings tacked there; done on sketchbook paper now yellowed and curling at the edges。 Most had sifted away to faint scratchings of ink or graphite; impossible to make out。 But the one his eyes came to rest on was still clear enough。
It was Bobby's last drawing of Rosena; of whom he had done so many: facial studies framed in cascading hair; with tender mouth and large lustrous eyes; sinuous nude fantasies made flesh; long graceful hands like rapid sketches of birds in flight。 But in this one Rosena sprawled in the hall doorway; head thrown back; face battered in。 Except for slight differences in style…Bobby had a heavier hand with the shading; and a way of capturing the fall of light on hair that made it look nearly wet…it was identical to the drawing Trevor had done in his sketchbook on the Greyhound; on his way to Missing Mile。
Trevor stared at the faded picture; nodding ever so slightly; not even surprised anymore。 Either Bobby had known how she would look in death before he killed her; as if he'd had some vision; or he had gotten out his sketchbook and drawn her broken body before he had gone into the bathroom to hang himself。 Maybe somewhere around here was a sketch of Didi dead too。 Trevor had done one this morning; barely awake; ing out of his dream of not…drawing。
But now he was here; on the very spot where he sat in the dream; and he could still draw。
His jaw was set; his eyes wary; a shade darker than before。 Though he did not know it; he looked like a man who has taken blows but is now ready to deal some of his own。
He glanced down at his own sketchbook and for the first time really saw what he had just drawn; and all the hardness drained out of his face。 His mouth fell open; his throat slammed shut; tears started in his eyes。 Caffeine and adrenaline sizzled through his veins; made his heart carom against the walls of his chest。 He could barely remember drawing this。 It wasn't even how the story was supposed to go。
The cops were meant to show up with their nightsticks drawn; bash Bird and Brown around some; then haul them off to jail with bruises and bleeding scalps。 That was what had really happened。
But in this version; the cops never stopped bashing。
There were closeups of hard wood connecting with skulls; skin splitting and curling back from the edges of wounds; a freshet of blood coursing from a nostril; an eye gone to pulp and swollen tissue; a spray of broken teeth on the ground like splinters of ivory scattered on dark velvet。 Bird and Brown lay crumpled at the bottom of the final page like animals hunted down and killed for their pelts; adrift in a spreading pool of gore。
The gore was darkly shaded and looked slick; nearly wet。 Trevor could not remember drawing it。
The house and whatever lived here had cast some nightmarish pall across his vision; hypnotized his hand; ruined his story。
Or had it?
The true story as Trevor had intended to tell it would have been strong and affecting in an understated way。 Maybe this could be something splashier; stranger; and ultimately more memorable。 He envisioned an ending for this version。 The cops realize they've killed the musicians and sneak off; figuring they can blame the murders on niggers killing other niggers。 But; as white men have failed to realize for too long; people aren't stupid just because they're poor。 The black people of Jackson can read the death of their heroes like a bitter book whose pages are bound in dusky skin; writ large with blood spilled in hatred。
Jackson is not so far from New Orleans; cradle of dark religion and herbal wisdom from Africa; from Haiti; from the heart of the Louisiana swamp。 And hoodoo knowledge has a way of traveling 。 。 。
Trevor imagined the bodies of Bird and Brown rising back up; seeing dimly through smashed eyes; thinking dimly with smashed brains。 They would be only shells; drained of music; of life。 But like all good zombies they would be able to hone in on their killers。 And they would have help 。 。 。
In his mind he saw a full…page final frame。 The cops crucified and burning on their own front lawns; nailed to crosses of blazing agony; their blackening; yawning forms silhouetted against the rich texture of the flames。 It would have a crudely moralistic; E。G。 ics feel to it。 But he wouldn't ink it or color it; he would do it entirely in pencil; meticulously shaded and hatched and stippled; and it would be beautiful。
And he would sell this fucker; sell it to a market that could afford to print it right。 Raw maybe; or Taboo。 He loved Taboo; an irregularly published anthology of beautifully rendered; lovingly produced; weird and twisted ics printed mostly in stark blacks and whites; shot through here and there with a few pages of color alternately subtle; vivid; and disturbing。 Everything from Joe Coleman's mutilation paintings to the numerous intricate collaborations of Alan Moore had appeared in its pages; all printed on fine heavy paper。
Trevor's jaw was set again as he bent back over his sketchbook。 But now the emotion in his face looked more like strength than hardness。 If he did this right; it would be the best thing he had ever drawn。
He drew for four more hours in the harsh electric light; until his eyelids grew heavy and sandy; until his fingers could barely uncurl from the pencil。 Then he folded his arms on the tabletop and cradled his head and went effortlessly to sleep。
Sometime